Stephane Boussuge

In that case, you can use substitute-map.  Here's a short example for woodwind trio:
 
;;;--------------------------------------------------------- ;;; Parameters (setf material '(#|1|# (q. f4 f e fs4 q d4 s c4 f4 a4 fs4) #|2|# (e d4 f c4 f4 a4 fs4 b4 eb4 f4) #|3|# (h f4 a4) #|4|# (h fs4 f b4) #|5|# (h eb4 f4) #|6|# (q. gs4 mp e c4 q f4 s a4 a4 gs4 b4) #|7|# (h f4 mp a4) #|8|# (q. a4 mp e gs4 q b4 s gs4 c4 b4 fs4) )) (setf fl.index '(1 2 1 3 1 4 5 6 7 8)) (setf ob.index '(3 2 4 3 5 4 6 5 7 6)) (setf bn.index '(1 2 2 1 1 3 3 1 1 4)) (setf ref-list (gen-integer 1 (length material))) (setf flute (substitute-map material ref-list fl.index)) (setf oboe (substitute-map material ref-list ob.index)) (setf bassoon (pitch-transpose -24 (substitute-map material ref-list bn.index))) ;;;--------------------------------------------------------- ;;; Score and Layout (def-score woodwind-trio (:title "Title" :composer "Composer" :copyright "Copyright © " :key-signature 'chromatic :time-signature '((1 1 1 1) 4) :tempo 100 :layout (wind-trio-layout 'flute 'oboe 'bassoon)) (flute :omn flute :channel 1 :sound 'gm :program 'flute :volume 95 :pan 70 :controllers (91 '(52)) ) (oboe :omn oboe :channel 2 :sound 'gm :program 'oboe :volume 95 :pan 54 :controllers (91 '(55)) ) (bassoon :omn bassoon :channel 3 :sound 'gm :program 'bassoon :volume 95 :pan 70 :controllers (91 '(57)) ) ) SB.

In that case, you can use substitute-map.  Here's a short example for woodwind trio:
 
;;;--------------------------------------------------------- ;;; Parameters (setf material '(#|1|# (q. f4 f e fs4 q d4 s c4 f4 a4 fs4) #|2|# (e d4 f c4 f4 a4 fs4 b4 eb4 f4) #|3|# (h f4 a4) #|4|# (h fs4 f b4) #|5|# (h eb4 f4) #|6|# (q. gs4 mp e c4 q f4 s a4 a4 gs4 b4) #|7|# (h f4 mp a4) #|8|# (q. a4 mp e gs4 q b4 s gs4 c4 b4 fs4) )) (setf fl.index '(1 2 1 3 1 4 5 6 7 8)) (setf ob.index '(3 2 4 3 5 4 6 5 7 6)) (setf bn.index '(1 2 2 1 1 3 3 1 1 4)) (setf ref-list (gen-integer 1 (length material))) (setf flute (substitute-map material ref-list fl.index)) (setf oboe (substitute-map material ref-list ob.index)) (setf bassoon (pitch-transpose -24 (substitute-map material ref-list bn.index))) ;;;--------------------------------------------------------- ;;; Score and Layout (def-score woodwind-trio (:title "Title" :composer "Composer" :copyright "Copyright © " :key-signature 'chromatic :time-signature '((1 1 1 1) 4) :tempo 100 :layout (wind-trio-layout 'flute 'oboe 'bassoon)) (flute :omn flute :channel 1 :sound 'gm :program 'flute :volume 95 :pan 70 :controllers (91 '(52)) ) (oboe :omn oboe :channel 2 :sound 'gm :program 'oboe :volume 95 :pan 54 :controllers (91 '(55)) ) (bassoon :omn bassoon :channel 3 :sound 'gm :program 'bassoon :volume 95 :pan 70 :controllers (91 '(57)) ) ) SB.

In that case, you can use substitute-map.  Here's a short example for woodwind trio:
 
;;;--------------------------------------------------------- ;;; Parameters (setf material '(#|1|# (q. f4 f e fs4 q d4 s c4 f4 a4 fs4) #|2|# (e d4 f c4 f4 a4 fs4 b4 eb4 f4) #|3|# (h f4 a4) #|4|# (h fs4 f b4) #|5|# (h eb4 f4) #|6|# (q. gs4 mp e c4 q f4 s a4 a4 gs4 b4) #|7|# (h f4 mp a4) #|8|# (q. a4 mp e gs4 q b4 s gs4 c4 b4 fs4) )) (setf fl.index '(1 2 1 3 1 4 5 6 7 8)) (setf ob.index '(3 2 4 3 5 4 6 5 7 6)) (setf bn.index '(1 2 2 1 1 3 3 1 1 4)) (setf ref-list (gen-integer 1 (length material))) (setf flute (substitute-map material ref-list fl.index)) (setf oboe (substitute-map material ref-list ob.index)) (setf bassoon (pitch-transpose -24 (substitute-map material ref-list bn.index))) ;;;--------------------------------------------------------- ;;; Score and Layout (def-score woodwind-trio (:title "Title" :composer "Composer" :copyright "Copyright © " :key-signature 'chromatic :time-signature '((1 1 1 1) 4) :tempo 100 :layout (wind-trio-layout 'flute 'oboe 'bassoon)) (flute :omn flute :channel 1 :sound 'gm :program 'flute :volume 95 :pan 70 :controllers (91 '(52)) ) (oboe :omn oboe :channel 2 :sound 'gm :program 'oboe :volume 95 :pan 54 :controllers (91 '(55)) ) (bassoon :omn bassoon :channel 3 :sound 'gm :program 'bassoon :volume 95 :pan 70 :controllers (91 '(57)) ) ) SB.

Hi,
 
here's your code slightly modified to give you and example of the usage of counterpoint function with multiple lists.
 
As you can see, the :sequence keyword in dictum allow you to choose for each instrument in which list you pick the patterns.
 
I've added 2 more lines to your dictum to show how to use :span to constrain the time signature on some bars.
The :extend keyword allow you to add rest at the end (default) or at the start (:extend '(s))) of the bar when a bar is extended by :span keyword.
Hope this example will help.
 
Best regards.
 
Stéphane Boussuge
 
(progn (setf my-dictum '(((- 1 2 -) :sequence '(1 1 2 1)) ((1 - - 2) :sequence '(1 1 2 1)) ((2 - - 2) :sequence '(1 1 2 1)) ((1 2 2 1) :sequence '(1 1 2 1)) ((3 1 3 2) :span 4/4 :sequence '(1 1 2 1) :extend '(- s s -)) ((4 1 4 1) :span 2/4 :sequence '(1 1 2 1)) )) (setf times (* 1 (length my-dictum))) (setf my-root -0) (setf my-intervals '(0 1 4 7)) (setf my-pitches (pitch-transpose my-root (integer-to-pitch my-intervals))) (setf my-lengths (rnd-sample times '((q e) (q q)) :seed 356)) (setf my-articulations (span my-lengths '(-))) (setf my-velocities '(pp p mp mf f ff)) (setf my-sequence (make-omn :length my-lengths :pitch my-pitches :velocity my-velocities)) (setf my-chord-sequence (make-omn :length my-lengths :pitch (gen-chord2 '(2 4) '(2 2 3 4) '((c4 cs4 e4 g4) (c4 cs4 e4 g4))) :velocity my-velocities :articulation my-articulations)) (setf my-time-signature (get-time-signature my-sequence)) (counterpoint (list my-sequence my-chord-sequence) my-dictum :global-methods '((fl) (cl) (hn) (vc)) :index 'voice1-) (ps 'gm :fl (list voice1-1) :cl (list voice1-2) :hn (list voice1-3) :vc (list voice1-4) :tempo 161 ) )  

I’m always amazed by the incredible power of Opusmodus and the inspiration it give to me to compose and explore new possibilities .
Actually, I'm playing and experimenting a bit with OM and orchestra,
preparing my next package of video lessons for ComposerWorkshop.com.
Today, I've made this output from my experiences, nothing extraordinary but I wanted to share it as an example of what we can make with Opusmodus in about 1h.
It's basically only Slonimsky patterns distributed to the orchestra on an heterophonic way with transpositions from Opusmodus bind-to-interval function (set to "0")
Stéphane
 
Etude pour Orchestre 040523.wav

I’m always amazed by the incredible power of Opusmodus and the inspiration it give to me to compose and explore new possibilities .
Actually, I'm playing and experimenting a bit with OM and orchestra,
preparing my next package of video lessons for ComposerWorkshop.com.
Today, I've made this output from my experiences, nothing extraordinary but I wanted to share it as an example of what we can make with Opusmodus in about 1h.
It's basically only Slonimsky patterns distributed to the orchestra on an heterophonic way with transpositions from Opusmodus bind-to-interval function (set to "0")
Stéphane
 
Etude pour Orchestre 040523.wav

I’m always amazed by the incredible power of Opusmodus and the inspiration it give to me to compose and explore new possibilities .
Actually, I'm playing and experimenting a bit with OM and orchestra,
preparing my next package of video lessons for ComposerWorkshop.com.
Today, I've made this output from my experiences, nothing extraordinary but I wanted to share it as an example of what we can make with Opusmodus in about 1h.
It's basically only Slonimsky patterns distributed to the orchestra on an heterophonic way with transpositions from Opusmodus bind-to-interval function (set to "0")
Stéphane
 
Etude pour Orchestre 040523.wav

I’m always amazed by the incredible power of Opusmodus and the inspiration it give to me to compose and explore new possibilities .
Actually, I'm playing and experimenting a bit with OM and orchestra,
preparing my next package of video lessons for ComposerWorkshop.com.
Today, I've made this output from my experiences, nothing extraordinary but I wanted to share it as an example of what we can make with Opusmodus in about 1h.
It's basically only Slonimsky patterns distributed to the orchestra on an heterophonic way with transpositions from Opusmodus bind-to-interval function (set to "0")
Stéphane
 
Etude pour Orchestre 040523.wav

I truly love Opusmodus. In this new series of videos, I'm trying to show why.
This (basic) example show how Opusmodus could be used to generate and experiment with orchestral sections.
 
 

I truly love Opusmodus. In this new series of videos, I'm trying to show why.
This (basic) example show how Opusmodus could be used to generate and experiment with orchestral sections.
 
 

I truly love Opusmodus. In this new series of videos, I'm trying to show why.
This (basic) example show how Opusmodus could be used to generate and experiment with orchestral sections.
 
 

It is in Document: 1.OMN The Language.
 
You can also get it here:
 
 

Is anyone working on this? Is it planned in the product roadmap? If not, I would be able to give it a try. But that will be .NET based tool to convert MusicXML to OMN.
 
Would like to know if it's worth the effort (of value to the community, will not be a feature of OpusModus soon, ...) .
 

In memoriam Narcis Bonet who was one of my teachers.
 

Opusmodus score attached.
SB.
PlutonV1-02.opmo

In memoriam Narcis Bonet who was one of my teachers.
 

Opusmodus score attached.
SB.
PlutonV1-02.opmo

Example with cents attributes:
 
'(e c4 1c - 12c - 23c - 34c - 45c - 56c - 67c - 78c)  

Hi,
 
here's a short score composed for string quartet.
 
All the best to all OM users !
 
Stéphane
 

stephaneboussuge · Méditation  
MeditationPourRené.opmo
01 - Conducteur - Méditation.pdf

Opusmodus 3.0 for Windows ( Basic Install and Workflow Setup )
In this video there is a tutorial for the installation and setup of Opusmodus 3.0 for Windows computers. 
It also shows the Loop Midi Setup and integration with Reaper, Musescore and Libre Office.
 
LINKS
OPUSMODUS 3.0 - Windows
https://opusmodus.com/forums/downloads/
 
LOOP MIDI - Virtual Midi ports - Tobias Erichsen
https://www.tobias-erichsen.de/software/loopmidi.html
 
REAPER
https://www.reaper.fm/
 
MUSESCORE
https://musescore.org
 
LIBRE OFFICE
https://www.libreoffice.org/
 
CHAPTERS
00:00 - Intro
00:59 - Install Opusmodus
02:41 - First Look at Opusmodus Standalone
04:25 - Midi Setup
05:23 - Loop Midi Install
05:53 - Virtual Ports Setup 
06:30 - Selecting Midi Inputs and Midi Entry
07:00 - DAW Midi Loop Setup (Reaper)
09:19 - Def-Instrument-set creation and setup midi
11:42 - Preview Score with def-instrument-set using VST and Reaper
12:20 - OMN for creating musical ideas
12:44 - Using the Preview Score with VST sounds in Reaper
14:36 - Opusmodus and Notation Software - Musescore
15:21 - Opusmodus and word processor software - Libre Office

Hello RevJames, 
I use Ableton Live 11 suite with OPMO to send the different midi parts into Live. It works very well and allows you to use all of Live's tools, native synthesizers, third-party virtuals, hardware synths, etc.
LoopMidi works great for creating the virtual ports needed in Windows to play midi parts on a Daw/Stan. Once open, just click + to add a port.
In Ableton Live or other Daw, check in Preferences if the ports are active. Then, just assign them in the instruments/midi track.
Be careful, do not forget in Opusmodus to check their assignments with (midi-destinations)_CTRL E.
I made a small PDF to summarize this topic. And since you work with Ableton Live, I'm interested in sharing.
LoopPortsOpmo.pdf

This is wonderful - so clearly presented and deeply engaging of Opusmodus!  I will return to this, in the meantime, BRAVO!

OM v.3.0 Windows ready for download:
https://opusmodus.com/forums/downloads
 
LoopMIDI is a third-party application that allows you to create virtual MIDI ports on your Windows system:
 
loopMIDI | Tobias Erichsen
WWW.TOBIAS-ERICHSEN.DE  

Hello all,
 
Any progress on converting MusicXML to OMN?
 

Hi folks,
 
new zoom into om:
 
SB.

Hi folks,
 
new zoom into om:
 
SB.

Short study made with the code showed in Zoom into OM No.6.
Audio output: Musescore 4.
Etude pour Ensemble V.02 by stephaneboussuge