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JulioHerrlein

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  1. Bravo !! Great ! I will have a dedicated computer just to test Opusmodus in Windows !
  2. Dear Janusz, This will be in the next update ? Best, Julio
  3. This is great for motivic development and variation. Best !
  4. Interesting... Maybe Janusz will chime up with some solution. Worked for me at that particular occasion. Best !
  5. Thanks for the observation, Ole ! Best ! Julio
  6. Thanks, Stephane ! Ole, I think that the right way to code my previous example is like this: ((q b4 p leg fs5 < leg e3 < leg a5 <) (e e5 < stacc b5 < stacc c4 mf stacc) (q g5 mf leg a4 leg eb3 leg d4) (e c6 ff stacc b5 stacc a4 stacc) (e c5 > stacc eb5 > stacc gs4 > stacc) (q b4 mf leg f5 leg f5 leg fs5 leg gs5 leg a5) (e cs4 pp g4 < c6 <) (e gs5 fff fermata)) If I put the pp and the < crescendo side by side, we get two C# s. The right way is to put the crescendo for "being carried" by the next g4 note. Looks like each note can carry only one velocity attribute at a time. Best, Julio
  7. I´m studying the Dictum function. For example, this: (setf omn4 '((e b4 fs5 e3 a5) (e e5 b5 c4) (e g5 a4 eb3 d4) (e c6 b5 a4) (e c5 eb5 gs4) (e b4 f5 f5 fs5 gs5 a5) (e cs4 g4 c6) (e gs5))) (dictum '((:butlast leg :bar (1 3 6)) (:apply stacc :bar (2 4 5)) (:any e :apply q :bar (1 3 6)) (:first p :bar 1) (:apply < :bar 1 :event 2) (:apply ff :bar 4) (:apply > :bar 5) (:apply < :bar 7..8) (:apply fff :bar 8) (:last fermata :bar 8)) omn4) ;give me this as result ((q b4 p leg fs5 < leg e3 mf leg a5) (e e5 mf stacc b5 stacc c4 stacc) (q g5 mf leg a4 leg eb3 leg d4) (e c6 ff stacc b5 stacc a4 stacc) (e c5 > stacc eb5 > stacc gs4 > stacc) (q b4 mf leg f5 leg f5 leg fs5 leg gs5 leg a5) (e cs4 < g4 < c6 <) (e gs5 fff fermata)) How to get this result ? ((q b4 p leg fs5 < leg e3 < leg a5 <) (e e5 < stacc b5 < stacc c4 mf stacc) (q g5 mf leg a4 leg eb3 leg d4) (e c6 ff stacc b5 stacc a4 stacc) (e c5 > stacc eb5 > stacc gs4 > stacc) (q b4 mf leg f5 leg f5 leg fs5 leg gs5 leg a5) (e cs4 pp < g4 < c6 <) (e gs5 fff fermata)) Very nice function! Thanks ! Julio
  8. Thanks a lot ! I also used the array in another application. Nice way to use it in the 12-tone matrix. Best ! Julio
  9. FOUND IT !!! (get-form-set '(0 4 9 10 5 3 8 7 1 2 11 6) 'r7)
  10. For example: How to combine from the matrix P0 - second hexachord (F# E G F A G#) with RI5 - first hexachord (D# D F# E G F) Or any hexachordal combination from the matrix (even if it does not form an agregate...) Best, Julio
  11. Dear friends, There is a function to make the 12-tone matrix (twelve-tone-matrix '(3 11 10 2 1 0 6 4 7 5 9 8)) I 0 8 7 11 10 9 3 1 4 2 6 5 0 3 11 10 2 1 0 6 4 7 5 9 8 4 7 3 2 6 5 4 10 8 11 9 1 0 5 8 4 3 7 6 5 11 9 0 10 2 1 1 4 0 11 3 2 1 7 5 8 6 10 9 2 5 1 0 4 3 2 8 6 9 7 11 10 P 3 6 2 1 5 4 3 9 7 10 8 0 11 R 9 0 8 7 11 10 9 3 1 4 2 6 5 11 2 10 9 1 0 11 5 3 6 4 8 7 8 11 7 6 10 9 8 2 0 3 1 5 4 10 1 9 8 0 11 10 4 2 5 3 7 6 6 9 5 4 8 7 6 0 10 1 11 3 2 7 10 6 5 9 8 7 1 11 2 0 4 3 RI The function returns the 48 form matrix of the original 12-tone row. Questions: 1) How can I get some excerpts from the Matrix ? 2) For example, if I want to make a combinatoriality between two hexachords of the matrix, like, for example, the first hexachord of P-0 (3 11 10 2 1 0) + the second hexachord of RI-8 (3 2 6 4 7 5) how can I retrieve the values from the matrix ? Is there some keyword ? Whth this retrieving possibility, the matrix can be very useful for composition. Best ! Julio
  12. Thanks a lot, MIlton ! I´m very happy to see your comment ! Actually, a lot of interesting rhythmic timelines are beyond the 12 units. In indian music there are very long cyclic rhythms and in popular music, the 16 n is very widespread, including the popular drum machines step sequencers. But for the purpose of having a complete set of combinations, any number beyond 12 is too big, generating too much material to make a typology. Maybe in a larger cardinality we can talk about tendencies and not an specific typology. Opusmodus can deal with it, also. Janusz programed a special function based in my dissertation, called pcs-rhythm. It´s well exemplified in the documentation. Here is the forum thread that give birth to the function. All the best and thanks for your kind words ! Julio
  13. Lovely idea ! Eduardo Reck Miranda was born in my city, Porto Alegre / Brasil ! Best ! https://www.exxoshost.co.uk/atari/mirror/myatari/issues/jul2002/camus.htm
  14. Thanks, Stephane I was working around with something like this: (setf mat1 (gen-repeat 2 '((s b4 mf gs3 cs4 fs4) (s a4 mf g3 c4 d4) (s bb4 mf f3 c4 eb4) (s f4 mf d3 g3 c4) (s eb4 mf bb2 gs3 cs4) (s d4 mf a2 e3 g3) (s b3 mf a2 e3 fs3) (s g3 mf c3 d4 a4)))) (setf v1 (gen-trim 3 (omn-to-time-signature (pitch-transpose 12 (list mat1)) '(3 4))) Best !! I´ll try length-span
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