Stephane Boussuge

;;; Classical Accompaniment Exemple ;;;--------------------------------------------------------- ;;; Parameters ;;;--------------------------------------------------------- ;;; Motif definition (setf mtf1 '((s c5 leg g5 leg e6 leg g5 c5 leg g5 leg e6 leg g5))) (setf mtf2 (pitch-transpose 4 mtf1)) (setf mtf3 '((-q e5))) (setf mtf4 '((-q g4c5))) (setf mtf5 '((q c2 -))) ;;; Chords definition (setf chords (library 'harmoprog1 'minor-4vx 'prog2)) ;;; Ostinati (setf ost1 (gen-repeat (length chords) mtf1)) (setf ost2 (gen-repeat (length chords) mtf2)) (setf ost3 (gen-repeat (length chords) mtf3)) (setf ost4 (gen-repeat (length chords) mtf4)) (setf ost5 (gen-repeat (length chords) mtf5)) ;;; Tonality-map series (setf tm-path (tonality-series chords)) ;;; Here we apply the map 'tm-path' into arpegio sequence. (setf ost1.map (tonality-map tm-path ost1)) (setf ost2.map (tonality-map tm-path ost2)) ;;; Here we apply our library chords into chord sequence. ;;; The harmonic-path preserves the voice leading. (setf ost3.map (harmonic-path chords ost3)) (setf ost4.map (harmonic-path chords ost4)) (setf ost5.map (harmonic-path chords ost5)) (setf violin1 (ambitus '(g3 c7) ost2.map)) (setf violin2 (ambitus '(g3 c6) ost1.map)) (setf viola (ambitus '(c3 e4) ost3.map)) (setf violoncello (ambitus-chord 12 (pitch-transpose -12 ost4.map))) (setf bass ost5.map) ;;;--------------------------------------------------------- ;;; Score and Layout ;;;--------------------------------------------------------- (def-score Classical-accomp (:title "Classical accompaniment example" :composer "S.Boussuge" :copyright "Copyright © 2018 s.boussuge" :key-signature 'chromatic :time-signature '((1 1 1 1) 4) :tempo 108 :layout (bracket-group (violin-layout 'violin1 :name "Violin-1") (violin-layout 'violin2 :name "Violin-2") (viola-layout 'viola) (violoncello-layout 'violoncello) (contrabass-layout 'bass) ) ) (violin1 :omn violin1 :channel 1 :sound 'gm :program 'String-Ensemble-1 :volume 100 :pan 48 :controllers (91 '(68)) ) (violin2 :omn violin2 :channel 2 :sound 'gm :program 'String-Ensemble-1 :volume 100 :pan 48 :controllers (91 '(68)) ) (viola :omn viola :channel 3 :sound 'gm :program 'String-Ensemble-1 :volume 90 :pan 64 :controllers (91 '(68)) ) (violoncello :omn violoncello :channel 4 :sound 'gm :program 'String-Ensemble-1 :volume 90 :pan 80 :controllers (91 '(68)) ) (bass :omn bass :channel 5 :sound 'gm :program 'String-Ensemble-1 :volume 90 :pan 80 :controllers (91 '(68)) ) )

For searching the doc for a function in composer panel, just put the cursor on it and hit ctrl + Tab. SB.

You can see the correct shortcuts in Menu "Outils" Attached to this post a short video. SB. ExempleEvaluation.mp4

Si vous le souhaitez, je peux vous donner un cours en Français par Skype. https://opusmodus.com/forums/lessons/ SB.

For woodwinds trio and string quartet. SB.

A short piece as an Hommage to Bruno Maderna. This piece was presented in Venice Italy for the "Musica Domani" in 7th December 2019. It use a lot of new functionalities from the upcoming Opusmodus Version 1.4 . SB.

Oh ! Great ! SB.

To use the shortest path i use always the closest-path function. In the example given by Janusz, you may use the closest-path function on the chords before exploding to voices. SB.

I love it ! SB.

Wonderful, it will become one of my favorite and will be probably very fun to use in conjonction with passing-interval function. SB.

you have many way to do that in OM, have a look to pattern-map for example or substitute-map... SB.

look closest-path and relative-closest-path. S.

I wrote this example for one of my student few years ago. I don't know if it could help you but just in case.... Best wishes Stéphane Spectral-remap1.opmo

midi-to-omn will be super useful for me, thanks ! Stéphane

Hi, A short study about some harmonic procedures and unfold set simple usage. SB. MelodieFltPia280819.mp3 MelodieFlutePiano280819GM.opmo