opmo

OpenAI must improve the handling of provided knowledge documents, as GPT often omits them in responses.

melody1 is not a list of pitches but an omn form list. (make-omn :pitch (flatten (omn :pitch melody1)) :length (flatten rhythm1) :velocity (flatten dynamics))

All together: (setf intro '(:c I vi IV V)) (setf verse '(:c I V vi IV ii)) (setf chorus '(:am i iv VI III iv i V7)) (setf bridge '(:eb IV V7/V V7 I vi ii V7 I)) (setf outro '(:c vi IV I ii V7 I IV I)) (setf song-progression (append intro verse chorus bridge outro)) (setf attr (make-diatonic-chord-attribute song-progression)) (setf song-chords (diatonic-chord song-progression :inv '(0 -1 0 -1 ; Introduction inversions -2 0 -1 0 -1 0 -1 0 -1 -2 ; Verse inversions 0 -1 -2 0 -1 -2 0 ; Chorus inversions 0 0 -1 0 -1 -2 0 -1 ; Bridge inversions 0 -1 -2 0 -1 -2 0 ; Outro inversions 0 0 0 -1 0 -1 -1 -2) ; Outro inversions :sort t :drop 1)) (setf omn-data (make-omn :pitch song-chords :length '(q q h q q h q q q q q q h q q q q q q q h q h q q q q h q q h q q q q q q q h h h h q q h h w) :articulation attr )) (def-score my-song (:key-signature 'chromatic :time-signature '(4 4) :tempo 120 :layout (treble-layout 'chords)) (chords :omn omn-data :channel 1 :sound 'gm :program 0))

make-omn (setf omn-data (make-omn :pitch song-chords :length '(q q h q q h q q q q q q h q q q q q q q h q h q q q q h q q h q q q q q q q h h h h q q h h w) :articulation attr)) and (grand-layout 'piano) is not correct it needs two voices. Change to one voice instrument.

Just search the net for it, there are many examples how to use this function. What you try to do - if I understand it correctly - can be done with OM functions.

It's amazing, well done.

Julio Herrlein Study and Practice in Composition with Opusmodus This is the second volume in the series of publications specifically dedicated to composing and analyzing music using the Opusmodus system. The primary purpose of this book is to provide a narrative of the compositional process in Opusmodus and demonstrate the interplay of functions in a typical daily workflow of practicing and studying composition. Simply having all the information scattered throughout the documentation is not enough to show how a composer connects ideas in the compositional process. Not everything in the composition can be reconstructed, due to the rapid flow of decision making. Coding helps to leave a trace of the path, making us aware of the process.

I don't see any problems here. Example with Alphabetic markings: (setf mat '((5q eb6 reh+reha-a 5e e6 pp ped bb6 ped -5h.) (5q e5 pp ped bb5 f -5h.) (7q e5 ppp ped 7e bb5 f ped e5 mp ped 7q f5 pp b5 ff - cs6 mf eb6 pp) (7q d5 pp reh - e5 ff eb5 f d5 mf cs5 ped =) (7q d6 f ped 7h cs6 ff 7q c6 mp 7q. cs6 pp ped c6 mp) (7q fs6 mf ped+reh g6 mp ped fs6 p ped g6 ped 7q. fs6 f g6 p) (7q fs6 f -7h 7q c6 pp 7q. fs6 mp g6 mf))) (def-score reh-test (:key-signature 'chromatic :time-signature '(1 4) :tempo '((120 2) (88 1) (44 2) (88 1))) (ins :omn mat :channel 1 :sound 'gm :program 'acoustic-grand-piano)) In Stephane Etude score the markings are placed as they should.

By mistake the Minor key (v G Minor) was the same as (V G Major), fixed in 3.0.29427. Quite a nightmare dealing with all the intervals and names in both keys. I hope all fine now.

Yes, I know about that, but it was not a priority on my list of things todo.

Additional chord symbols and coorection to the Minor key (G Minor) intervals. The full list of the chord symbols you will find in the diatonic-chord function document. ;;; Major Key Chord Progression Symbols ;; I Chords (C Major) I ; C Major triad on I I6 ; C/E First inversion I6/4 ; C/G Second inversion Isus2 ; Csus2 Suspended 2nd chord Isus4 ; Csus4 Suspended 4th chord I7sus4 ; C7sus4 Dominant 7th suspended 4th I6add6 ; C6 Major 6th chord I6/9 ; C6/9 Major 6/9 chord Iadd9 ; Cadd9 Major triad with added 9th IMaj7 ; Cmaj7 Major 7th chord I7 ; C7 Dominant 7th chord on I IMaj7sus2 ; Cmaj7sus2 Major 7th chord with suspended 2nd IMaj7s11 ; Cmaj7♯11 Major 7th with sharp 11th IMaj9 ; Cmaj9 Major 9th chord I9 ; C9 Dominant 9th chord on I IMaj13 ; Cmaj13 Major 13th chord I11 ; C11 Dominant 11th chord on I I13 ; C13 Dominant 13th chord on I ;; ii Chords (D Minor) ii ; Dm Minor triad on ii ii6 ; Dm/F First inversion ii6/4 ; Dm/A Second inversion iisus2 ; Dmsus2 Suspended 2nd chord iisus4 ; Dmsus4 Suspended 4th chord ii6add6 ; Dm6 Minor 6th chord ii6/9 ; Dm6/9 Minor 6/9 chord iiadd9 ; Dm(add9) Minor triad with added 9th ii7 ; Dm7 Minor 7th chord ii9 ; Dm9 Minor 9th chord ii11 ; Dm11 Minor 11th chord ii13 ; Dm13 Minor 13th chord ;; iii Chords (E Minor) iii ; Em Minor triad on iii iii6 ; Em/G First inversion iii6/4 ; Em/B Second inversion iiisus2 ; Emsus2 Suspended 2nd chord iiisus4 ; Emsus4 Suspended 4th chord iii6add6 ; Em6 Minor 6th chord iii6/9 ; Em6/9 Minor 6/9 chord iiiadd9 ; Em(add9) Minor triad with added 9th iii7 ; Em7 Minor 7th chord iii9 ; Em9 Minor 9th chord iii11 ; Em11 Minor 11th chord iii13 ; Em13 Minor 13th chord ;; IV Chords (F Major) IV ; F Major triad on IV IV6 ; F/A First inversion IV6/4 ; F/C Second inversion IVsus2 ; Fsus2 Suspended 2nd chord IVsus4 ; Fsus4 Suspended 4th chord IV7sus4 ; F7sus4 Dominant 7th suspended 4th IV6add6 ; F6 Major 6th chord IV6/9 ; F6/9 Major 6/9 chord IVadd9 ; Fadd9 Major triad with added 9th IVMaj7 ; Fmaj7 Major 7th chord IV7 ; F7 Dominant 7th chord on IV IVMaj7sus2 ; Fmaj7sus2 Major 7th chord with suspended 2nd IVMaj7s11 ; Fmaj7♯11 Major 7th with sharp 11th IVMaj9 ; Fmaj9 Major 9th chord IV9 ; F9 Dominant 9th chord on IV IV11 ; F11 Dominant 11th chord on IV IV13 ; F13 Dominant 13th chord on IV IVMaj13 ; Fmaj13 Major 13th chord ;; V Chords (G Major) V ; G Major triad on V V6 ; G/B First inversion V6/4 ; G/D Second inversion Vsus2 ; Gsus2 Suspended 2nd chord Vsus4 ; Gsus4 Suspended 4th chord Vadd6 ; G6 Major triad with added 6th V6/9 ; G6/9 Major 6/9 chord Vadd9 ; Gadd9 Major triad with added 9th V7 ; G7 Dominant 7th chord V9 ; G9 Dominant 9th chord V11 ; G11 Dominant 11th chord V13 ; G13 Dominant 13th chord V7s5 ; G7♯5 Dominant 7th with augmented 5th V7b5 ; G7♭5 Dominant 7th with flattened 5th Vmaj7 ; Gmaj7 Major 7th chord Vmaj9 ; Gmaj9 Major 9th chord V7sus4 ; G7sus4 Dominant 7th with suspended 4th V7add13 ; G7add13 Dominant 7th with added 13th V9s11 ; G9♯11 Dominant 9th with sharp 11th V7b5 ; Gø7 Half-diminished 7th chord V7b9 ; G7♭9 Dominant 7th with flattened 9th V7s9 ; G7♯9 Dominant 7th with sharp 9th V7b13 ; G7♭13 Dominant 7th with flattened 13th V7s11 ; G7♯11 Dominant 7th with sharp 11th V13b9 ; G13♭9 Dominant 13th with flattened 9th V13s11 ; G13♯11 Dominant 13th with sharp 11th V7alt ; G7alt Fully altered dominant 7th chord Vaug ; Gaug Augmented triad on V Vdim ; Gdim Diminished triad on V ;; vi Chords (A Minor) vi ; Am Minor triad on vi vi6 ; Am/C First inversion vi6/4 ; Am/E Second inversion visus2 ; Asus2 Suspended 2nd chord visus4 ; Asus4 Suspended 4th chord viadd6 ; Am6 Minor 6th chord vi6/9 ; Am6/9 Minor 6/9 chord viadd9 ; Amadd9 Minor triad with added 9th vi7 ; Am7 Minor 7th chord vi9 ; Am9 Minor 9th chord vi11 ; Am11 Minor 11th chord vi13 ; Am13 Minor 13th chord ;; vii° Chords (B Diminished) viio ; Bdim Diminished triad on vii° viio6 ; Bdim/D First inversion of Bdim7 viio6/4 ; Bdim/F Second inversion of Bdim7 vii7b5 ; Bm7♭5 Half-diminished 7th chord viio7 ; Bdim7/Ab Fully diminished 7th chord viio9 ; Bdim9 Diminished 9th chord viio7s5 ; Bdim7♯5 Diminished 7th with sharp 5th viio7b9 ; Bdim7♭9 Diminished 7th with flat 9th viio7s9 ; Bdim7♯9 Diminished 7th with sharp 9th ;; Borrowed Chords from Parallel Minor in C Major im ; Cm Borrowed i chord from C minor im6 ; Cm/E♭ First inversion of Cm im6/4 ; Cm/G Second inversion of Cm im7 ; Cm7 Borrowed i7 chord from C minor im9 ; Cm9 Borrowed i9 chord from C minor ivm ; Fm Borrowed iv chord from C minor ivm6 ; Fm/A First inversion of Fm ivm6/4 ; Fm/C Second inversion of Fm ivm7 ; Fm7 Borrowed iv7 chord from C minor bv ; Gm Borrowed v chord from C minor bv6 ; Gm/B♭ First inversion of Gm bv6/4 ; Gm/D Second inversion of Gm bv7 ; Gm7 Borrowed v7 chord from C minor bviio ; Bdim7 Borrowed vii°7 chord from C minor bviio6 ; Bdim7/D First inversion of Bdim7 bviio6/4 ; Bdim7/F Second inversion of Bdim7 bviio7 ; Bdim7/Ab Third inversion of Bdim7 bIII ; E♭ Borrowed ♭III chord from C minor bIII6 ; E♭/G First inversion of E♭ bIII7 ; E♭7 Borrowed ♭III7 chord from C minor bIIIMaj7 ; E♭maj7 Borrowed ♭IIImaj7 chord from C minor bVI ; A♭ Borrowed ♭VI chord from C minor bVI6 ; A♭/C First inversion of A♭ bVI7 ; A♭7 Borrowed ♭VI7 chord from C minor bVIMaj7 ; A♭maj7 Borrowed ♭VImaj7 chord from C minor bVII ; B♭ Borrowed ♭VII chord from C minor bVII6 ; B♭/D First inversion of B♭ bVII7 ; B♭7 Borrowed ♭VII7 chord from C minor bII ; D♭ Neapolitan triad bII6 ; D♭/F First inversion bII6/4 ; D♭/A♭ Second inversion bII7 ; D♭7 Neapolitan with dominant 7th bIIMaj7 ; D♭Maj7 Neapolitan with major 7th bIIadd9 ; D♭add9 Neapolitan with added 9th bII7b5 ; D♭7♭5 Neapolitan with flat 5th bII7s5 ; D♭7♯5 Neapolitan with sharp 5th ;; Secondary Dominant Chords V7/V ; D7 V7/V in C Major V9/V ; D9 V9/V in C Major V13/V ; D13 V13/V in C Major V7/ii ; A7 V7/ii in C Major V9/ii ; A9 V9/ii in C Major V13/ii ; A13 V13/ii in C Major V7/iii ; B7 V7/iii in C Major V9/iii ; B9 V9/iii in C Major V13/iii ; B13 V13/iii in C Major V7/IV ; C7 V7/IV in C Major V9/IV ; C9 V9/IV in C Major V13/IV ; C13 V13/IV in C Major V7/vi ; E7 V7/vi in C Major V9/vi ; E9 V9/vi in C Major V13/vi ; E13 V13/vi in C Major V7/viio ; F♯7♭5 V7/vii° in C Major V9/viio ; F♯9♭5 V9/vii° in C Major V13/viio ; F♯13♭5 V13/vii° in C Major V42 ; G7/F Dominant 7th chord in third inversion V7/iib5 ; A7♭5 V7/ii♭5 in C Major V7/viiob9 ; F♯7♭5♭9 V7/vii°♭9 in C Major ;; Augmented Sixth Chords It+6 ; A♭ It+6 Italian augmented sixth Fr+6 ; A♭ Fr+6 French augmented sixth Ger+6 ; A♭ Ger+6 German augmented sixth ;; Tritone Substitution Chords SubV7/V ; G♭7 Tritone substitute for V7 SubV9/V ; G♭9 Tritone substitute with added 9th SubV13/V ; G♭13 Tritone substitute with added 13th SubV7/ii ; G♭7/ii Tritone substitute for V7/ii SubV9/ii ; G♭9/ii Tritone substitute for V9/ii SubV13/ii ; G♭13/ii Tritone substitute for V13/ii ;; Altered Chords on Altered Degrees sivo7 ; F♯dim7 Diminished 7th on ♯iv sivm7 ; F♯m7 Minor 7th chord on ♯iv sivo7s5 ; F♯dim7♯5 Diminished 7th with sharp 5th ;; Quartal and Quintal Harmony 4tal ; C F B♭ Quartal triad 4tal6 ; F B♭ C Quartal triad in first inversion 4tal6/4 ; B♭ C F Quartal triad in second inversion 4tal7 ; C F B♭ E Quartal 7th chord 4tal9 ; C F B♭ E A Quartal 9th chord 4tal11 ; C F B♭ E A D Quartal 11th chord 5tal ; C G D Quintal triad 5tal6 ; G D A Quintal triad in first inversion 5tal6/4 ; D A C Quintal triad in second inversion 5tal7 ; C G D A Quintal 7th chord 5tal9 ; C G D A E Quintal 9th chord 5tal11 ; C G D A E B Quintal 11th chord ;;; Minor Key Chord Progression Symbols ;; i Chords (C Minor) i ; Cm Minor triad on i im6 ; Cm6/1 First inversion of Cm6 i6 ; Cm/E♭ First inversion of Cm i6/4 ; Cm/G Second inversion of Cm i7 ; Cm7 Minor 7th chord i9 ; Cm9 Minor 9th chord i11 ; Cm11 Minor 11th chord i13 ; Cm13 Minor 13th chord i6/9 ; Cm6/9 Minor 6/9 chord iadd9 ; Cmadd9 Minor triad with added 9th Isus2 ; Cmsus2 Suspended 2nd chord Isus4 ; Cmsus4 Suspended 4th chord iMaj7 ; CmMaj7 Minor major 7th chord (rare) i7sus2 ; Cm7sus2 Minor 7th chord with suspended 2nd ;; ii° Chords (D Diminished) iio ; Ddim Diminished triad on ii° iio6 ; Ddim/F First inversion of Ddim iio6/4 ; Ddim/A♭ Second inversion of Ddim iio7 ; Ddim7 Fully diminished 7th chord iio9 ; Dm9♭5 Half-diminished 9th chord iioadd9 ; Ddimadd9 Diminished triad with added 9th iiosus2 ; Ddimsus2 Diminished suspended 2nd chord iiosus4 ; Ddimsus4 Diminished suspended 4th chord ii7b5 ; Dm7♭5 Half-diminished 7th chord ;; III Chords (E♭ Augmented) III ; E♭ Major triad on ♭III IIIMaj7 ; E♭maj7 Major 7th chord III6 ; E♭6 Major 6th chord III+ ; E♭+ Augmented triad on III+ III+7 ; E♭+7 Augmented 7th chord III+9 ; E♭+9 Augmented 9th chord ;; iv Chords (F Minor) iv ; Fm Minor triad on iv (Diatonic) iv6 ; Fm6/1 First inversion of Fm6 iv7 ; Fm7 Minor 7th chord iv9 ; Fm9 Minor 9th chord iv11 ; Fm11 Minor 11th chord iv13 ; Fm13 Minor 13th chord iv6/9 ; Fm6/9 Minor 6th and 9th chord ivadd9 ; Fmadd9 Minor triad with added 9th IVsus2 ; Fmsus2 Suspended 2nd chord IVsus4 ; Fmsus4 Suspended 4th chord iv7sus2 ; Fm7sus2 Minor 7th chord with suspended 2nd iv7sus4 ; Fm7sus4 Minor 7th chord with suspended 4th ivMaj7 ; FmMaj7 Minor triad with major 7th iv+ ; Fm+ Augmented triad on iv iv+7 ; Fm+7 Augmented 7th chord iv7s11 ; Fm7♯11 Minor 7th chord with sharp 11th iv7b5 ; Fm7♭5 Minor 7th chord with flat 5 ivadd11 ; Fmadd11 Minor triad with added 11th iv7s9 ; Fm7♯9 Minor 7th chord with sharp 9th iv9sus4 ; Fm9sus4 Minor 9th chord with suspended 4th ;; v Chords (G Minor) v ; Gm Minor triad on v v6 ; Gm/B♭ First inversion v6/4 ; Gm/D Second inversion vsus2 ; Gsus2 Suspended 2nd chord vsus4 ; Gsus4 Suspended 4th chord vadd6 ; Gm6 Minor triad with added 6th v6/9 ; Gm6/9 Minor 6/9 chord vadd9 ; Gmadd9 Minor triad with added 9th v7 ; Gm7 Minor 7th chord v7♭5 ; Gm7♭5 Half-diminished 7th chord v7s5 ; Gm7♯5 Minor 7th with augmented 5th v9 ; Gm9 Minor 9th chord v9b5 ; Gm9♭5 Minor 9th with ♭5 v9s5 ; Gm9♯5 Minor 9th with ♯5 v11 ; Gm11 Minor 11th chord v11b5 ; Gm11♭5 Minor 11th with ♭5 v13 ; Gm13 Minor 13th chord v13b5 ; Gm13♭5 Minor 13th with ♭5 vmaj7 ; GmMaj7 Major 7th chord (rare in minor) vmaj9 ; GmMaj9 Major 9th chord (rare in minor) ;; VI Chords (A♭ Major) VI ; A♭ Major triad on VI VI6 ; A♭6 First inversion VI6/4 ; A♭6/4 Second inversion VI7 ; A♭7 Dominant 7th chord on VI VI9 ; A♭9 Dominant 9th chord on VI VI11 ; A♭11 Dominant 11th chord on VI VI13 ; A♭13 Dominant 13th chord on VI VI6/9 ; A♭6/9 Dominant 6/9 chord on VI VIadd9 ; A♭add9 Major triad with added 9th VIsus2 ; Absus2 Suspended 2nd chord VIsus4 ; Absus4 Suspended 4th chord VI7sus2 ; A♭7sus2 Dominant 7th chord with suspended 2nd VI7sus4 ; A♭7sus4 Dominant 7th chord with suspended 4th ;; vii° Chords (B Diminished) vii ; Bdim Diminished triad on vii° vii6 ; Bdim6 First inversion of Bdim vii6/4 ; Bdim6/4 Second inversion of Bdim vii7 ; Bdim7 Fully diminished 7th chord on vii° vii9 ; Bdim9 Fully diminished 9th chord on vii° vii7s5 ; Bdim7♯5 Diminished 7th with sharp 5th viiadd9 ; Bdimadd9 Diminished triad with added 9th vii13 ; Bdim13 Fully diminished 13th chord on vii° vii7b9 ; Bdim7b9 Diminished 7th with flat 9th ;; Non-Diatonic Chords (Borrowed and Altered Chords) bIII ; E♭ Major triad on ♭III bIII6 ; E♭6 First inversion of ♭III bIII6/4 ; E♭6/4 Second inversion of ♭III bIII7 ; E♭7 Dominant 7th chord on ♭III bIIIMaj7 ; E♭maj7 Major 7th chord on ♭III bIII9 ; E♭9 Dominant 9th chord on ♭III bIII11 ; E♭11 Dominant 11th chord on ♭III bIII13 ; E♭13 Dominant 13th chord on ♭III bIII7b5 ; E♭7♭5 Dominant 7th with flat 5th on ♭III bIII7s5 ; E♭7#5 Dominant 7th with sharp 5th on ♭III bVII ; B♭ Major triad on ♭VII bVII6 ; B♭6 First inversion of ♭VII bVII6/4 ; B♭6/4 Second inversion of ♭VII bVII7 ; B♭7 Dominant 7th chord on ♭VII (includes A♭) bVIImaj7 ; B♭maj7 Major 7th chord on ♭VII bVII9 ; B♭9 Dominant 9th chord on ♭VII bVI ; A♭ Major triad on ♭VI bVI6 ; A♭6 First inversion of ♭VI bVI7 ; A♭7 Dominant 7th chord on ♭VI bVIMaj7 ; A♭maj7 Major 7th chord on ♭VI bVI9 ; A♭9 Dominant 9th chord on ♭VI bII ; D♭ Neapolitan chord on ♭II bII6 ; D♭6 First inversion of ♭II bIIMaj7 ; D♭maj7 Major 7th chord on ♭II bIIadd9 ; D♭add9 Major triad with added 9th on b♭II bII7 ; D♭7 Dominant 7th chord on ♭II bII9 ; D♭9 Dominant 9th chord on ♭II biv ; Fm Subdominant minor bv ; Gm Dominant minor bviio ; Bdim7 Fully diminished 7th ;; Secondary Dominant Chords V7/V ; D7 V7/V in C Minor V9/V ; D9 V9/V in C Minor V13/V ; D13 V13/V in C Minor V7/ii ; A7 V7/ii in C Minor V9/ii ; A9 V9/ii in C Minor V13/ii ; A13 V13/ii in C Minor V7/iio ; A7 V7/ii° in C Minor V9/iio ; A9 V9/ii° in C Minor V13/iio ; A13 V13/ii° in C Minor V7/III ; B♭7 V7/III in C Minor V9/III ; B♭9 V9/III in C Minor V13/III ; B♭13 V13/III in C Minor V7/i ; C7 V7/i in C Minor V7/IV ; C7 V7/IV in C Minor V9/IV ; C9 V9/IV in C Minor V13/IV ; C13 V13/IV in C Minor V9/i ; C9 V9/i in C Minor V13/i ; C13 V13/i in C Minor V7/vi ; E7 V7/vi in C Minor V9/iv ; G9 V9/iv in C Minor V13/iv ; G13 V13/iv in C Minor V7/VI ; A♭7 V7/VI in C Minor V9/VI ; A♭9 V9/VI in C Minor V13/VI ; A♭13 V13/VI in C Minor V7/viio ; F♯7♭5 V7/vii° in C Minor V9/viio ; F♯9♭5 V9/vii° in C Minor V13/viio ; F♯13♭5 V13/vii° in C Minor ;; Augmented Sixth Chords It+6 ; A♭ It+6 Italian augmented sixth Fr+6 ; A♭ Fr+6 French augmented sixth Ger+6 ; A♭ Ger+6 German augmented sixth ;; Tritone Substitution Chords SubV7/V ; A♭7 Tritone substitute for V7/V (D7) SubV9/V ; A♭9 Tritone substitute added 9th for V9/V (D9) SubV13/V ; A♭13 Tritone substitute added 13th for V13/V (D13) SubV7/ii ; E♭7 Tritone substitute for V7/ii (A7) SubV9/ii ; E♭9 Tritone substitute added 9th for V9/ii (A9) SubV13/ii ; E♭13 Tritone substitute added 13th for V13/ii (A13) SubV9/III ; E9 Tritone substitute added 9th for V9/III (B♭9) SubV13/III ; E13 Tritone substitute added 13th for V13/III (B♭13) SubV7/viio ; C7♭5 Tritone substitute for V7/viio (F♯7♭5) SubV9/viio ; C9♭5 Tritone substitute added 9th for V9/viio (F♯9♭5) SubV13/viio ; C13♭5 Tritone substitute added 13th for V13/vii° (F♯13♭5) SubV7/iv ; D♭7 Tritone substitute for V7/iv (G7) SubV9/iv ; D♭9 Tritone substitute added 9th for V9/iv (G9) SubV13/iv ; D♭13 Tritone substitute added 13th for V13/iv (G13) ;; Altered Chords on Altered Degrees sivo7 ; F♯dim7 Diminished 7th on ♯iv sivm7 ; F♯m7 Minor 7th chord on ♯iv sivo7s5 ; F♯dim7♯5 Diminished 7th with sharp 5th ;; Quartal and Quintal Harmony 4tal ; C F B♭ Quartal triad 4tal6 ; F B♭ C Quartal triad in first inversion 4tal6/4 ; B♭ C F Quartal triad in second inversion 4tal7 ; C F B♭ E Quartal 7th chord 4tal9 ; C F B♭ E A Quartal 9th chord 4tal11 ; C F B♭ E A D Quartal 11th chord 5tal ; C G D Quintal triad 5tal6 ; G D A Quintal triad in first inversion 5tal6/4 ; D A C Quintal triad in second inversion 5tal7 ; C G D A Quintal 7th chord 5tal9 ; C G D A E Quintal 9th chord 5tal11 ; C G D A E B Quintal 11th chord

Numerical: starting number: reh+rehn-1 after reh (setf test '((q c4 mf reh+rehn-1 d4 e4 f4) (q c4 mf reh d4 e4 f4) (q c4 mf reh d4 e4 f4) (q c4 mf reh d4 e4 f4) (q c4 mf reh d4 e4 f4))) (ps 'gm :treble (list test)) Alphabetic: starting letter: reh+reha-a after reh (setf test '((q c4 mf reh+reha-a d4 e4 f4) (q c4 mf reh d4 e4 f4) (q c4 mf reh d4 e4 f4) (q c4 mf reh d4 e4 f4) (q c4 mf reh d4 e4 f4))) (ps 'gm :treble (list test))

MuseScore 4.0 gets the best result with musicxml files.

3.0.29424 New keyword: sort (optional): A boolean value (NIL or T). When set to T, the function applies an ascending sort to the chord intervals before processing. The default is NIL.

Done in 3.0.29423