Stephane Boussuge Posted May 1, 2023 Share Posted May 1, 2023 I truly love Opusmodus. In this new series of videos, I'm trying to show why. This (basic) example show how Opusmodus could be used to generate and experiment with orchestral sections. edesert, Cliff, opmo and 4 others 6 1 Quote Link to comment Share on other sites More sharing options...
david Posted May 12, 2023 Share Posted May 12, 2023 it's really very interesting! the sound is really not great, you should record your internal audio output rather than your speaker output... Quote Link to comment Share on other sites More sharing options...
Stephane Boussuge Posted May 13, 2023 Author Share Posted May 13, 2023 It was my internal audio output but the reverb was too wide... S. Quote Link to comment Share on other sites More sharing options...
Cliff Posted May 13, 2023 Share Posted May 13, 2023 Dear @Stephane Boussuge, thx great workflow. Can I also programmatically store the last score as MIDI rather storing opmo files?. I guess this would be great for DAW based music generation workflow. Quote Link to comment Share on other sites More sharing options...
Stephane Boussuge Posted May 14, 2023 Author Share Posted May 14, 2023 On 5/13/2023 at 9:25 PM, Cliff said: Dear @Stephane Boussuge, thx great workflow. Can I also programmatically store the last score as MIDI rather storing opmo files?. I guess this would be great for DAW based music generation workflow. Hello Cliff, yes naturally, you can export as midi file: (compile-score *last-score* :output :midi :file "TempScores/section.mid" ) SB. Quote Link to comment Share on other sites More sharing options...
edesert Posted May 15, 2023 Share Posted May 15, 2023 Hi Stephane - thanks for another great tutorial! Stephane Boussuge 1 Quote Link to comment Share on other sites More sharing options...
JimmyTheSaint Posted May 28, 2023 Share Posted May 28, 2023 Stephane, you change instrumentation by uncommenting the desired instrumentation in the variable *orchestrations*. I can't see where and how *orchestrations* gets used in the code. I guess this means there are other files involved (somehow) in the demo, and that we're waiting until the video pack is released to learn and use this utility, right? If so, I'm happy to wait. If I'm missing something, I would like to ask about that because the only way I can figure out to audition different instrumentation while lived coding involves cumbersome commenting/uncommenting. Quote Link to comment Share on other sites More sharing options...
Stephane Boussuge Posted May 28, 2023 Author Share Posted May 28, 2023 Hi, the orchestration come from other files indeed. I'm working on the scripting of the videos actually. Best Stéphane JimmyTheSaint 1 Quote Link to comment Share on other sites More sharing options...
RST Posted August 27 Share Posted August 27 So clear and well done, Stephane! Bravo for this!! Stephane Boussuge 1 Quote Link to comment Share on other sites More sharing options...
RST Posted August 28 Share Posted August 28 By the way, is there a code example associated with this discussion? Quote Link to comment Share on other sites More sharing options...
Stephane Boussuge Posted August 28 Author Share Posted August 28 Hi Robert, the code showed here is the code given with full explanation in this CPW course: Designing generative orchestral templates with Opusmodus (level 2) - Composer Workshop WWW.COMPOSERWORKSHOP.COM Welcome to the course on "Designing Generative Orchestral Templates with Opusmodus"! In this course, we will explore the fascinating world of computer-assisted composition, specifically focusing on the powerful music composition environment known as Opusmodus. Opusmodus is a cutting-edge software tool that empowers composers, music theorists, and researchers to create... RST and opmo 2 Quote Link to comment Share on other sites More sharing options...
RST Posted August 28 Share Posted August 28 Thank you, Stephane, this is great. I will subscribe to this as well. Stephane Boussuge 1 Quote Link to comment Share on other sites More sharing options...
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