-
Content Count
102 -
Joined
-
Last visited
About Deb76
-
Rank
Junior Member
Contact Methods
- Website URL
Profile Information
-
Gender
Male
-
Location
France, Haute-Normandie
-
Interests
Musique, théorie musicale, Set Theory, musique contemporaine, Arts Plastiques, cinéma...
Recent Profile Visitors
The recent visitors block is disabled and is not being shown to other users.
-
Set Theory: Retrieving Pitch Class sets from collections of notes
Deb76 replied to JulioHerrlein's topic in Function Examples
Hello Julio, I add to the links of the "PC Sets" utilities that of the two "assistant Bain" and the summary table of Larry Salomon. Otherwise, I particularly appreciate in OPMO "pcs-analysis" that Stéphane Boussuge underlined.: https://in.music.sc.edu/fs/bain/software/aa-v2.20d/default.htm https://in.music.sc.edu/fs/bain/software/tta-v2.3d/default.htm Table of Pitch Class Sets WEB.ARCHIVE.ORG table of pitch class sets- 5 replies
-
- set theory
- mir
-
(and 3 more)
Tagged with:
-
JulioHerrlein reacted to a post in a topic: Jean Barraqué - "séries proliférantes"
-
Thanks Julio. I made other graphs, Pitchs and intervals series with in particular the results of René. I'll post them tomorrow. Bravo René. It's excellent. I have some questions about your script for you. Greetings. Didier
-
JulioHerrlein reacted to a post in a topic: Jean Barraqué - "séries proliférantes"
-
opmo reacted to a post in a topic: Jean Barraqué - "séries proliférantes"
-
May be ? The circular permutation for 3e, 9e, 10e et 11e notes ? J'explique plus tard. J'ai un Rdv... JeanBarraqueSerProlif.pdf
-
JulioHerrlein reacted to a post in a topic: Jean Barraqué - "séries proliférantes"
-
AM reacted to a post in a topic: Jean Barraqué - "séries proliférantes"
-
Thank you for this function / script regarding "les séries proliférantes". By carrying out a research on the book "Jean Barraqué, Ecrits" and published by the "publications of the Sorbonne" I discovered this site around Jean Barraqué and in particular examples of the scores and the booklets of "Séquence (1950-55) , "Le temps restitué (1959)", "... au delà du hasard (1959)", "Chant après chant (1966)" and "Concerto (1968)". I tell myself that under the documentation that might be of interest to members : Bärenreiter Verlag - Download WWW.BAERENREITER.COM C
-
Very interesting. I will reread "Autrement" in "Relevés d'apprenti" by Pierre Boulez. Small question concerning "chord-derive", this method of rotation, developed by Pierre Boulez, in which pages is it used in Dérive? Best. Didier
-
It works very well with virtual or hardware instruments like synthesizers. With the midi ports and in particular with the USB midi instruments each instrument or synthesizer is recognized as such by OPMO. We can even do without a sequencer / Daw. For now, I have a problem with my Motu 1278 sound card that no longer receives sound from my synthesizers or any external audio input. I can nevertheless continue to work thanks to Opusmodus which after evaluation of the script sends the midi parts to the synthesizers and whose audio outputs enter the sound card of my PC (RME Fireface 800) and Ableton
-
Thanks Janusz. Best wishes. Didier
-
opmo reacted to a video: Opuspiano Timbres - Pianoteq Video Contest 2017
-
Re-sorry for this question, I got the answer by opening Opusmodus with the specific link. Didier
-
Hello, Sorry but the link for update 2.025669 where is it? Is it the Opusmodus 2.0 in Download and involves filling out the form where is there a specific link? I can't see... Thanks. Didier
-
The update is done. This new version brings even more possibilities for writing, musical analysis, microtonality ...
-
Thanks Janusz. It's really great...
-
JulioHerrlein reacted to a post in a topic: Opusmodus 1.4 - Microtonality
-
opmo reacted to a post in a topic: Opusmodus 1.4 - Microtonality
-
Hi Janusz, Very Great. This is excellent, combined with the ability to correct all frequencies with cents adjustments (:articul from 1c to 99c) very useful for simulating frequency modulation (FM) or ring modulation with virtual instruments, Opusmodus will become the most powerful editor for writing and hearing microtonal compositions. A big thank you Janusz.
-
Pianoteq Video Contest 2017. The composition was written with Opusmodus and played in Ableton Live with seven instances of Pianoteq (modified TubularBells, modified ConcertArp recording, Steinway D Classical Recording A, modified Celesta, modified Cinbalom, modified original ChurchBells, Steinway D Classical Recording BA and completed with a Ircam Solo Instruments bank instance (flute, Horn, Cello) read via the UVI Workstation.
-
AM reacted to a video: Identification séries avec Opusmodus
-
opmo reacted to a video: Identification séries avec Opusmodus
-
Bonjour, Cette seconde vidéo a pour objectif de mettre en exergue l'utilisation d'Opusmodus en tant qu'outil et assistant d'analyse afin d'identifier des séries dans une partition comme celle de l'Opus 22 d'Anton Webern à partir de la série originale ou de l'une de ses dérivées. De nombreuses fonctions dédiées permettent à partir d'une série de créer une ou plusieurs matrices de transpositions 12x12 P I R RI, de façon globale ou séparée (originale, rétrograde, inversion, rétrograde de l'inversion). De même, des fonctions récentes de recherche ont été intégrées dans OPMO par Janusz Podraz