Stephane Boussuge

Great, well done ! S.

Hi Torsten, my Mac have 16gig of RAM. Also, i'm using an SSD. About the articulations, if you expand one instrument group, you will see the play module AND a bidule keyswitcher who allow me to have the soundset i use. Best, S. added 6 minutes later Actually, i use a derivation of this with Bidule encapsuled into Logic X. I attach the logic template here, if you want to have a look. Best S. BaseOrch5.logicx.zip

Hello, here's one of my personal orchestral template. It use plogue Bidule as host (because some special KeySwitch configuration) and EastWest Hollywood orchestra and East west Convolution reverb (but you can replace it by another one). You can use this template and associated files (soundset etc..) as this or use it as a base for designing you own and take inspiration from it. Attached you will find and audio example of the raw output of the template, the template itself (.opmo), the Bidule file and the soundset necessary to drive this template. Put the BaseOrch4.bidule file into the Instrument/Templates folder from Opmo folder. (create the Template folder if not exist) Put the soundset file BaseOrchestra4.lisp into the Def-soundset folder from opmo folder. Have fun !! SB. TemplateOutExample.mp3 ForumHWBiduleBaseOrchestra.opmo BaseOrch4.bidule BaseOrchestra4.lisp

Hi, here's for study purpose the Opusmodus score of the first movement of my piano trio. All the best to the wonderful Opusmodus users community ! SB. PianoTrio-SlonimskyV2.opmo

With vector-map function, you can map anything: (vector-map (expand-tonality '(c4 messiaen-mode5)) '(0 1 2 3 4 2 1 5 3 1)) SB.

You can try harmonic-path function. But i agree and would like to define larger than one octave tonality for tonality-map. :map '(step) could be a partial solution, but i'm always searching for a tonality mapping that preserve the octave map. the spectral way is important for me and i would like to use pitch-fields like Kaja Saariaho S.

Here's the rendering of the score "Classical Accomp Example" i've made for the last version of Opusmodus.

(setf rh-a-dynamics (gen-eval 8 '(vector-to-velocity (random* 0.7) (random* 0.9) (vector-range 0.55 0.69 (gen-white-noise 5 :seed 12))))) S.

(list (chord-inversion 1 (expand-chord '(c4 69)))) S.

I think Scom send just the midifile to Logic. If you open a midi-file created with Opusmodus with Logic, all the tracks will be created, the tempo map, the bar changes and logic will load instruments exactly as you describe. It is just opening the midi-file into logic. S.

You can look at some of my videos tutorials in the Videos section on this Forum - you will see how to drive Logic Pro. In Opusmodus you can use as many MIDI ports as you like with hundreds of MIDI channels simultaneously. Opusmodus have all you need to create and send cc (controllers) data - check the DEF-SOUND-SETS documentation and the DEF-SCORE documentation. About driving Logic, I have created two templates which you'll find in templates section on this Forum. Happy Opusmodusing ;-) Stéphane Boussuge

Wonderful and great video !! S.

i agree totally :-) Actually, i always finish my scores in a DAW for such reason but with this new possibilities into Opusmodus, it would be no more necessary and i love the idea to stay in Opusmodus from start to end of the music process. SB.

i would love a possibility to change midi channel from articulation :-) S

Thank you :-)

Small piece for Woodwinds. S.

also if you want to control the voice leading, i use harmonic-path function who allow me to keep exactly the voice leading defined in my chord progression. S.

Here's my way for diatonic transposition. It is very simple but do exactly what i want when composing I use this system extensively in all my compositions now, not always in diatonic context but also with synthetic modes, row, algorithmic pitch material etc... I love the concept of degree and transpositions inside a scale and use that technique very often. (setf motiv '((q c4 e4 g4)(q c4 e4 g4)(q c4 e4 g4)(q c4 e4 g4)(q c4 e4 g4))) (setf degree '(1 4 2 5 1)) (setf harmonic-path (harmonic-progression degree '(c4 major) :step 1 :size 7 :base 1 )) (setf p1 (tonality-map (mclist harmonic-path) motiv)) S.

Score files updated with missing functions 1/F-values and euclidean-rhythms. SB.

Nigel was passed away on 14th September 2017. The funeral was only with his family. S.

I consider Nigel was my most important music comp. teacher even if we had mainly only mails exchange and few meetings and i will be always thankful to him for his always very constructives advices. S.

In memoriam to Nigel St. Clair Morgan. RequiemCommented.opmo

Logic now from at leat one year use multiple core when bussing via live instruments but may be not with armed tracks but sure with the configuration i've shared long time ago on this Forum: All the best. S.

a possible solution: SB.