JulioHerrlein

Dear All, I really enjoyed the way Dictum works now. In my opinion, it´s also a way of implementing variations over the material. I just have one suggestion: Maybe it could have a length keyword to make the gen-pause (or any operation) in the first positive length event, or only in positive values (not over the rests), so you don´t need to count the events to apply the operation. For the bars that start with rests (an have many rests) this could be useful. Something like this: (setf omn2b '((-5q 5q fs4 p bb3 f3 e4 -3q g4 c5 s eb5 mf a5 cs6 gs6) (5q gs6 f cs6 a5 eb5 - -s c5 g4 e4))) ;;; length keyword to make the gen-pause (or any operation) in the first length event, or only in positive values (not over the rests) so you don´t need to count the events to apply. (dictum '((:if 5q :do tasto :bar 1) (:first ord :bar 2) (:do (gen-pause x) :bar 1 :event 1 :length t) (:if e :do tasto :bar 2)) omn2b) ; RESULT ((-5q - bb3 p tasto f3 tasto e4 tasto -3q g4 c5 s eb5 mf a5 cs6 gs6) (5q gs6 f ord cs6 a5 eb5 - -s c5 g4 e4)) All the best ! Julio

Great ! I´m going to check this. Thanks !

Hello, Dear Friends Tablature is part of the musicxml standard. It´s also important in baroque guitar and also for dealing with finger mechanisms in the guitar, like fingering combinations, etc. Can it be generated in Opusmodus, there is a TAB clef available ? Thanks a lot ! Julio Tablature | MusicXML 4.0 WWW.W3.ORG

Amazing function ! I remember that video too ! Really cool to provide resources in spectral stuff.

I think it will be the next one, David. Hope you like it ! Best !

Thanks for the information, Stephane ! Best !

Thanks a lot, Stephane !! Nice !!

beautiful, Stephane ! How do you make that section numbers (1, 2, 3, ) in the score sections ? Best ! Julio

Very Cool !! The flute sound is also from VCV ? Nice !

Thanks, Stephane ! Best !

I can get the live code compiled, but in windows seems like I can´t go back to a previously compiled live coding instruments. It just shows the last compiled one. So, I don´t know what you mean by "scenes"... Can Opusmodus receive a midi command to start 2 live coding instruments at the same time ? For example, midi note (c4) starts live coding instrument 1, midi note cs4 starts live coding 2, etc ? Thanks ! Can Opusmodus receive a midi command to start 2 live coding instruments at the same time ? For example, midi note (c4) starts live coding instrument 1, midi note cs4 starts live coding 2, etc ? Thanks One more thing: In MAC, when evaluate this (live-coding-midi (compile-score 'drums1)) the live code already starts playing after evaluated. In windows behaviour, you evaluate and have to play start to hear.

Thanks for the information ! I was trying Opusmodus with some samplers, mixing audio and midi. The timing of Opusmodus is excellent. Everything in sync. Thank you. Best ! Julio Maybe a good idea would be having multiple instances of live coding in the same workspace, with detachable moving windows for the live code instruments. I was trying in the same workspace... Thank you !

Dear Friends, How to have multiple instances of Live Coding in Windows Machines ? I´m trying to make this happen even from different files, but the ps expression always open the live coding in the main navigator window. Thanks ! Happy 2024 ! (ps 'gm :afromenu1 (list (make-omn :pitch (gen-loop 120 (rnd-pick (integer-to-pitch (gen-integer -29 43))):seed 269615) :length (gen-repeat 120 '(s s)))) :tempo 80 :output :live-coding )

In my humble opinion, you can do anything you can rationalize in terms of lists, functions and algorithms. That´s the basic concept. There are idiomatic, stylistic things that demands more revision due to its "not so automatic" nature. Some styles have a blend of automatic procedures and some touch of imprecise things. Maybe what I call "imprecise" here is somewhat of a higher order in terms of language, something that not depends necessarily in well formed lists or well formed syntax. Some of these high order language aspects can be captured by an AI trained with a specific idiomatic database based on common practice procedures for example. Or simply made manually case by case... Meaning is not captured by lists... Our cognition of form neither... Generating and juxtaposing materials does not create meaning. It´s a necessary step, but it´s not all... melodize and pitch-melodize are similar but not the same. Check the docs.

Old VSL .gig files...

The drop types are the same, independently of the chord family. It´s a matter of ordering the notes and keep the rule of no more than an octave between adjacent voices.

Opusmodus + SuperCollider in Windows ? Do you have a tutorial ? Best !

Beautiful ! Any chance to get the code ? Happy 2024, Stephane !

Thanks !

Thank you, David. I used many functions from Opusmodus in the piece ! Happy 2024 !

Thanks, Janusz !

Video about 5-note voicings with drop-voicing function (in portuguese)

Interesting. Both the notations are correct, but I prefer the second most. The first could be achieved by (3h 3q tie 3q 3h). My solution in the moment was to change the time sig to 2/4 (then the triplets appeared right) and then changing back to 4/4 in musescore. Fortunately it was a simple thing... The problem is when you have multiple time signature changes and have to change all manually... Best !

Dear friends, How can I get my tuplets as the second way (all like the bar 2) ? The code is the same (3h), but yields different results... Thanks ! Julio ((3h c4 e4 g4 h c4e4g4b4 ) (-q q c5 3h a4 g4 e4))

Maybe using the windows file explorer to sort...