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JulioHerrlein

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  1. Dear Friends, Is there some way to automatically open XML files from Opusmodus to other application (Musescore, Sibelius) ? Some code to open this (or keyword). Best, Julio
  2. I discovered today that you can use just length-diminution to expand OR contract rhythms, just by using fractions. You can use ti to make some proportional metric modulation stuff. Here are some examples. ORIGINAL (length-diminution 1/1 '(q e e e e s s s s)) CONTRACT (length-diminution 2/1 '(q e e e e s s s s)) EXPAND (length-diminution 1/2 '(q e e e e s s s s)) (length-diminution 1/3 '(q e e e e s s s s)) (length-diminution 3/2 '(q e e e e s s s s)) (length-diminution 3/4 '(q e e e e s s s s)) And so on !! This is cool ! Best, Julio
  3. Just for the record... This way it worked great ! (besides my messy way to build expressions...) I find it easier to read... My mind is messy... (setf vh1 (make-omn :length rv1 :pitch v1 :span :pitch :velocity (length-map len-map2 rv1 :otherwise '(mf) :repeat t) :articulation (length-map len-map1 rv1 :otherwise '(ord) :repeat t)))
  4. Interesting... I´m going to check this. Another possibility would be to process the length-map before the make-omn expression to get more safe results. Maybe the span expression inside can spoil the length-map list management span inside the make-omn expression. That ocurred to me.... Thank you ! Best
  5. Dear Friends, I´m working with this Lenght-Map, for articulations and dynamics. It´s not waorking the way I expected. Some are in the map, but won´t map. Some aren´t in the map, but appears... Stephane use it a lot... What I missed ? ;;;FORUM QUESTION ;;;pitches (setf v1 '(q gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4 gs4 bb4 e4 d4 eb4 fs4 b4 gs4 g4 a4 c5 bb4 a4 cs4 d4 d4 d4 g4 d5 b4 g4 f4 eb4 e4 f4 fs4 c5 bb4 eb5 cs5 fs4 g4 fs4 g4 gs4 a4 d5 b4 g4 a4 a4)) ;;; rhythm (setf rv1 '(w s s s s tie q -q s s s s -q -q -q -q q -q -q h -q h. -e. s s s s s s e s -s e. tie q -q)) ;;; Length Map (setf len-map1 '((e (stacc)) (s (ord)) (h (long)) (h. (long)) (w (long)))) (setf len-map2 '((e (rnd-pick '(ff mf))) (s (mf)) (e. (mf)) (h (p<f)) (h. (p<f)) (w (p<f)))) (setf vh1 (make-omn :length (span v1 rv1) :pitch (omn :pitch v1) :velocity (length-map len-map2 rv1 :otherwise '(mf) :repeat t) :articulation (length-map len-map1 rv1 :otherwise '(ord) :repeat t)))
  6. When I installed the latest version, I had to clean the cache to have it working properly. Best !
  7. Thank you, Stephane !! The core is more extended version. All the best !
  8. Interesting Free VST Orchestral Plugin from BBC. Nice for pedagogical purpose (it´s free for students) Best, Julio
  9. Congrats, André ! VEry interesting graphs representing the permutations, Didier !
  10. Yes, this is important to have flexibility on editing materials. I´d like to know how to use it better.
  11. Thanks, André ! It´s interesting to note that it relates to the idea of what is considered among the forms of the any 12 tone row. The question is if the proliferant series resultant are some kind of transposition, inversion, rotation, retrogradation or multiplication of the original tone row. In the studies about the enumeration of tone rows this is a decisive point. What is considered to be related or derived of a first tone row ? I´m not absolutely sure about it, but I´m using this as a reflection... So, maybe we can consider the following as byproducts of a given 12 tone aggregate, in original (O) form: 1) There wil be 12 transpositions of (O) 2) the Inverted Form ( I ) and 12 transpositions of it; 3) the Retrograde Form ( R ) and 12 transpositions of it; 4) the Retrograde Inversion Form ( RI ) and 12 transpositions of it; This (O, R, RI and I) sums 48 derived rows of one 12-tone aggregate and this is the basic matrix. This is the trivial 12-tone theory, but beyond that, what can we consider as being derived from the same ordered set ? It´s not difficult to accept that all rotations of a 12-tone ordered set are derived from it. Take for example this Opus 25 tone row from "Arnie": E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭ (O, rot 0) F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭-E (O, rot 1) G–D♭–G♭–E♭–A♭–D–B–C–A–B♭-E-F (O, Rot 2) D♭–G♭–E♭–A♭–D–B–C–A–B♭-E-F-G (etc) G♭–E♭–A♭–D–B–C–A–B♭-E-F-G-Db E♭–A♭–D–B–C–A–B♭-E-F-G-Db-Gb A♭–D–B–C–A–B♭-E-F-G-Db-Gb-Eb D–B–C–A–B♭-E-F-G-Db-Gb-Eb-Ab B–C–A–B♭-E-F-G-Db-Gb-Eb-Ab-D C–A–B♭-E-F-G-Db-Gb-Eb-Ab-D-B A–B♭-E-F-G-Db-Gb-Eb-Ab-D-B-C B♭-E-F-G-Db-Gb-Eb-Ab-D-B-C-A E-F-G-Db-Gb-Eb-Ab-D-B-C-Bb 1) The 12 rotations of ( O ) and all this transpositions (144) 1) The 12 rotations of ( I ) and all this transpositions (144) 1) The 12 rotations of ( R ) and all this transpositions (144) 1) The 12 rotations of ( RI ) and all this transpositions (144) So, thinking this way, there are actually 576 derived forms of one each 12-tone row. In some special cases, the ( I ) can be the same of some retrograde or transposing form, in the case of invariance. The same goes for some types of hexachordal combinatoriality. And there are the multiplication series... Just some food for thoughts All the best ! Julio
  12. Thank you, for the information !! André, could you do a brief explanation of the function, please ? I´m interested in ways of construction 12 tone sequences, aka rows... Unfortunately, I can´t read german despite my german surname... All the best !! Here is some recent review articles about AIR series, by Marco Nardelli https://www.researchgate.net/publication/342093979_The_Hitchhiker's_Guide_to_the_All-Interval_12-Tone_Rows
  13. Very nice implementation with illustrative historic background !! Congratulations, André !! Amazing ! All the best ! Julio
  14. Yes, you can work with any libraries of your choice and Opusmodus can customize the way it sends articulations (key switches, for example) to your sounds. It´s very musical , because articulations can be programmed in conjunction with the notation output. You can even build your custom set of sounds/notations and integrate it. Best ! THere are many other examples in the Forum, by Stephane !
  15. Nice quetion, Ole ! I´d like to know this, too ! Best, Julio
  16. Dear Friends, Here are my talk at the Opusmodus Conference. Sorry for the troubles with the Zoom today. Here is the video without any problem. See you again !! All the best ! Stay safe ! Julio
  17. Julio Herrlein auf Facebook Watch FB.WATCH 1st Opusmodus Convention 11-12 January 2021 For people interested in Computer Assisted Composition this is a must see. Don´t miss it if you are a...
  18. Now we have length-legato Just revisiting the forum... In the search of length-delta-map examples. Best !
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