opmo

Will look into it.

There are limitation with text attributes in the music-xml script espacially with more than two layers. Chord symbols are manly for popular music and should not me proceed if you wish to display them in the score.

The chord symbols are fixed. You find the list of chord symbols in the chord-library doc. (setf harmpath '((h (b3 maj7) (d3 7)) (h (g3 maj7) (bb3 7)) (h (eb3 maj7) (eb3 maj7)) (h (a3 m7) (d3 7)) (h (g3 maj7) (bb3 7)) (h (eb3 maj7) (gb3 7)) (h (b3 maj7) (b3 maj7)) (h (f3 m7) (bb3 7)) (h (eb3 maj7) (eb3 maj7)) (h (a3 m7) (d3 7)) (h (g3 maj7) (g3 maj7)) (h (cs3 m7) (fs3 7)) (h (b3 maj7) (b3 maj7)) (h (f3 m7) (bb3 7)) (h (eb maj7) (eb maj7)) (h (cs3 m7) (fs3 7))) My display:

Yes, we can add the function to our system. I will try to make it happen for 1.3

We will delay the midi note-on events that start at time 0 by 5 ticks this might will solve the problem.

Maybe this is what you are looking for: (setf sec (flatten (gen-eval 10 '(rnd-unique 12 '(0 1 2 3 4 5 6 7 8 9 10)))))

You should't use :span :pitch with tupets otherwise the time signature will be not much of a use.

The future pitch (v1.4) will look like: c4 c4[50] fs4[50] d6[-30] etc... chord c4fs5[50] Every cents value which falls into microtonal notation (50, 30 -50 -75 ...) will be part of the notation all others will be written above the note: -43c

The error is a known problem when you copy and past from html pages. Go to documents and use the original score file. No errors here.

Quite simple to do: (setf soprano '((-h. q g4) (q g4 a4 bb4 c5) (h. d5 fermata q d5) (q d5 c5 bb4 c5) (h. a4 fermata q a4) (q bb4 c5 d5 d5) (h c5 q d5 fermata d5) (q bb4 c5 d5 d5) (h c5 q bb4 fermata d5) (q f5 d5 d5 d5) (h c5 q c5 fermata c5) (q d5 c5 bb4 c5) (h a4 q g4 fermata))) (setf alto '((-h. q d4) (q eb4 e e4 gb4 q g4 g4) (h. gb4 fermata q gb4) (q g4 e g4 gb4 q g4 a4) (h. gb4 fermata q gb4) (q g4 a4 bb4 bb4) (q bb4 e a4 g4 q a4 fermata gb4) (q d4 c4 f4 g4) (q g4 e f4 eb4 q d4 fermata f4) (q f4 e f4 g4 q a4 g4) (e g4 f4 g4 e4 q f4 fermata e f4 eb4) (q d4 e e4 gb4 q g4 g4) (q g4 gb4 d4 fermata))) (setf tenor '((-h. q bb3) (q c4 c4 d4 eb4) (h. a3 fermata q a3) (q bb3 c4 d4 eb4) (h. d4 fermata q d4) (q d4 eb4 f4 f4) (q g4 e f4 eb4 q d4 fermata a3) (q bb3 e f4 eb4 d4 c4 q bb3) (q bb3 a3 f3 fermata bb3) (q c4 d4 e d4 c4 q bb3) (e bb3 a3 bb3 g3 q a3 fermata a3) (q bb3 a3 e g3 bb3 q eb4) (e d4 s c4 bb3 q c4 b3 fermata))) (setf bass '((-h. q g3) (e c4 bb3 q a3 e g3 f3 q eb3) (h. d3 fermata q c3) (q bb2 a2 g2 c3) (h. d3 fermata q d3) (q g3 e f3 eb3 d3 c3 q bb2) (q eb3 f3 gb3 fermata d3) (q g3 a3 e bb3 a3 g3 f3) (q eb3 f3 bb2 fermata bb3) (q a3 bb3 gb3 e g3 f3) (q e3 c3 f3 fermata f3) (q bb2 e c3 d3 q eb3 e d3 c3) (h d3 q g2 fermata))) (def-score bach-bwv-0005 (:title "Bach, BWV-0005" :composer "J. S. Bach" :key-signature '(g min) :time-signature '(4 4) :tempo 96 :layout (piano-layout '(soprano alto) '(tenor bass))) (soprano :omn soprano :channel 1 :sound 'gm :program 0) (alto :omn alto :channel 2) (tenor :omn tenor :channel 3) (bass :omn bass :channel 4) ) 2nd possibility: ;;;--------------------------------------------------------- ;;; Bach, BWV 0005 ;;;--------------------------------------------------------- (setf soprano '((-h. q g4) (q g4 a4 bb4 c5) (h. d5 fermata q d5) (q d5 c5 bb4 c5) (h. a4 fermata q a4) (q bb4 c5 d5 d5) (h c5 q d5 fermata d5) (q bb4 c5 d5 d5) (h c5 q bb4 fermata d5) (q f5 d5 d5 d5) (h c5 q c5 fermata c5) (q d5 c5 bb4 c5) (h a4 q g4 fermata))) (setf alto '((-h. q d4) (q eb4 e e4 gb4 q g4 g4) (h. gb4 fermata q gb4) (q g4 e g4 gb4 q g4 a4) (h. gb4 fermata q gb4) (q g4 a4 bb4 bb4) (q bb4 e a4 g4 q a4 fermata gb4) (q d4 c4 f4 g4) (q g4 e f4 eb4 q d4 fermata f4) (q f4 e f4 g4 q a4 g4) (e g4 f4 g4 e4 q f4 fermata e f4 eb4) (q d4 e e4 gb4 q g4 g4) (q g4 gb4 d4 fermata))) (setf tenor '((-h. q bb3) (q c4 c4 d4 eb4) (h. a3 fermata q a3) (q bb3 c4 d4 eb4) (h. d4 fermata q d4) (q d4 eb4 f4 f4) (q g4 e f4 eb4 q d4 fermata a3) (q bb3 e f4 eb4 d4 c4 q bb3) (q bb3 a3 f3 fermata bb3) (q c4 d4 e d4 c4 q bb3) (e bb3 a3 bb3 g3 q a3 fermata a3) (q bb3 a3 e g3 bb3 q eb4) (e d4 s c4 bb3 q c4 b3 fermata))) (setf bass '((-h. q g3) (e c4 bb3 q a3 e g3 f3 q eb3) (h. d3 fermata q c3) (q bb2 a2 g2 c3) (h. d3 fermata q d3) (q g3 e f3 eb3 d3 c3 q bb2) (q eb3 f3 gb3 fermata d3) (q g3 a3 e bb3 a3 g3 f3) (q eb3 f3 bb2 fermata bb3) (q a3 bb3 gb3 e g3 f3) (q e3 c3 f3 fermata f3) (q bb2 e c3 d3 q eb3 e d3 c3) (h d3 q g2 fermata))) (def-score bach-bwv-0005 (:title "Bach, BWV-0005" :composer "J. S. Bach" :key-signature '(g min) :time-signature '(4 4) :tempo 96 :layout (piano-layout 'lh 'rh)) (lh :omn (dissolve-voices (merge-voices soprano alto)) :channel 1 :sound 'gm :program 0) (rh :omn (dissolve-voices (merge-voices tenor bass)) :channel 2) ) Best, JP

No, you can't do that. The float is reserved for velocity.

Great piece, thank you for sharing. I will download the CT demo version and will see what can be done.

Check the GET-RUNNING function. This will explain as well how to use floats in tuning.

There is no much information about the controllers etc...

Try to make a new sound library for conTimbre samples. Check the controllers in the conTimbre manual and create a new def-sound-set file. You can use as many controllers you need for a program.

You can assign any controller to any pitch. The :tuning can be used as well. You will find a few examples about tuning and controllers in the "Howto" section. There is microtonal possibility but it will not display in the notation. There are few microtonal examples in the home page "Made in Opusmodus" and in Forums:

I will see what I can do.

A new CIRCLE-PITCH-PLOT function (examples below) will be part of the forthcoming Opusmodus 1.3. The function CIRCLE-PIOTCH-PLOT returns a geometrical representation of relationships among the 12 pitch classes of the chromatic scale in pitch class space and provides an easy way to identify patterns and similarities between harmonic structures. Clockwise motion represents ascending pitch motion, and counterclockwise motion represents descending pitch motion. Examples: Major Triad (circle-pitch-plot '(c4e4g4)) Minor Triad (circle-pitch-plot '(c4f4ab4)) Augmented Triad (circle-pitch-plot '(c4e4gs4)) All 4 augmented triads (circle-pitch-plot '(c4e4gs4 db4f4a4 d4fs4bb4 eb4g4b4)) With :style :fill (circle-pitch-plot '(c4e4gs4 db4f4a4 d4fs4bb4 eb4g4b4) :style :fill) Example with chord names. Fully-Diminished 7th Chord (circle-pitch-plot 'dim7) All 3 fully-diminished 7th chords (circle-pitch-plot '((c4 dim7) (cs4 dim7) (d4 dim7))) Whole-Tone Scale (circle-pitch-plot '(0 2 4 6 8 10)) The complex of 2 Whole-Tone Scale (circle-pitch-plot '((0 2 4 6 8 10) (1 3 5 7 9 11)) :style :fill) Chromatic Scale (circle-pitch-plot 'chromatic :point-radius 4) The complex of 6 tritones (circle-pitch-plot '((0 6) (1 7) (2 8) (3 9) (4 10) (5 11)) :point-radius 4) Tonalities (circle-pitch-plot 'mixolydian-greek :point-radius 4) (circle-pitch-plot 'bartok :point-radius 4) (circle-pitch-plot 'messiaen-mode3 :point-radius 4) (circle-pitch-plot 'hyojo :point-radius 4) Contrary Motion (circle-pitch-plot '(0 1 11 2 10 3 9 4 8 5 7 6) :sort nil :join-first nil) (circle-pitch-plot '((0 1) (0 2) (0 3) (0 4) (0 5) (0 6) (0 7) (0 8) (0 9) (0 10) (0 11)) :point-radius 4) Example with Forte notation (circle-pitch-plot '(6-32 6-7)) Example with omn-form sequence and :type :pitches (circle-pitch-plot '(((leg s g2 p dbow+sul d3 sul b3 dig1 a3 b3 d3 b3 d3) (leg g2 d3 b3 a3 b3 d3 b3 d3))) :type :pitches) Circle types (circle-pitch-plot '((4 9 11) (3 5 10) (0 3 6 9)) :style :fill) (circle-pitch-plot '((4 9 11) (3 5 10) (0 3 6 9)) :type :pitches :style :fill) (circle-pitch-plot '((4 9 11) (3 5 10) (0 3 6 9)) :type :fifths :style :fill) Examples with :sort and :remove-duplicates set to nil (circle-pitch-plot '(0 2 6 0 3 7 0 4 8)) (circle-pitch-plot '(0 2 6 0 3 7 0 4 8) :sort nil) (circle-pitch-plot '(0 2 6 0 3 7 0 4 8) :sort nil :remove-duplicates nil) (circle-pitch-plot '(0 2 6 0 3 7 0 4 8) :sort nil :remove-duplicates nil :join-first nil) (circle-pitch-plot '(8 4 2 0 10 2 8 10 4 6 8) :sort nil :remove-duplicates nil) Best wishes, Janusz

The best way to progress quickly is to test and play with each of the examples in the 'How To' section which you will find in Utilities. You will see the omn form expression (scoring like on paper) and some simple self explanatory algorithms. Examine the input and output in the Listener. Snippet will help as well.

The Composer panel background can be changed and we can see this in Andre image. The docs .rtf files background (Assistant panel) stays white.

The graph, midi-player and notation background stays the same.

The seed number is the random state number.

Dear Andy, Because of how our server is setup and how the licence server is registering your serial number it is not possible to change the ownership of the software. The 30 days demo can't be extend, same thing. Best wishes, Janusz

A 30 days demo should be sufficient to test the software.

Check the Tuning documents in Howto. The other way is to use :controllers with pitch-bend-messeges, an example you find in the DEF-SCORE document.