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Everything posted by JulioHerrlein

  1. I tried using the musicxml-to-editor (defun last-midi-to-musescore () (compile-score *last-score* :output :midi :file "temp-last-midi") (musicxml-to-editor "temp-last-midi" :application "/Applications/MuseScore3.app")) Like above, but the musicxml gives an error with midi files... How about to create a generic-file-to-editor choice, to send any type of file to other auxiliary apps ? Best ! Julio
  2. Thank you, Janusz Yes, I already have some user defined things, like this: (defparameter *snippet-clef-default* :treble-down8) (defun last-score-to-musescore () (compile-score *last-score* :output :musicxml :file "temp-last-score") (musicxml-to-editor "temp-last-score" :application "/Applications/MuseScore3.app")) Thanks !! I will try this to see if works ! (defun last-midi-to-musescore () (compile-score *last-score* :output :midi :file "temp-last-midi") (midi-to-editor "temp-last-midi" :application "/Applications/MuseScore3.app"))
  3. Many thanks, Janusz If possible, add the idea of filtering tracks, for picking specific tracks on rendering the files, like a keyword :tracks (midi-to-editor :tracks '(0 2 3 5)) For rendering/saving just some tracks It would be AWESOME !!
  4. Thanks, Janusz ! But I need the Midi File to get the VSL articulations from it. I take the notated part from the XML, using (last-score-to-musescore) wich makes musescore open "automagically" the XML I´d like to have the same thing for Export/Last Score to Midi... without having to save midi file in disk first, then opening to Musescore. Just the command and boom ! Like I have with the XML. Then I will cut just the articulation keyswitches part and paste alongside the XML part. Best ! Julio
  5. Dear Friends, Is there some way to automatically opening a MIDI FILE (related to the last snippet/score generated) from Opusmodus to other application (Musescore, Sibelius) ? Something similar to this solution ? last-score-to-musescore solution, but for last midi files ? Like this post ? But for midi file? Many thanks in advance ! Much needed now. Best, Julio
  6. Dear Stephane, I´m planning to do a little video sooner or later. But basically, it´s the same stuff/template I´m working for some time. Inside this template, some ideas about music and composition are emerging, alongside with the constraints of my imagination and the different ways of realizing all this with this wonderful Opusmodus tool. Thanks in advance to all the support and inspiration you and Janusz bring to me and all the people in this forum. All the best ! Julio
  7. Yes !! This is great ! Thank you, Janusz !] Just a keyword did the job. Very interesting for controlling the number of rhythmic attacks in a time span, without having to measure a time span so strictly. As a consequence, the harmony can be better controlled also, because I use lists of compatible harmonies. All the best ! Julio
  8. Dear friends, A cool idea to implement would be to have a gen-divide like function for dividing rhythm lists, filtering just the positive values, like this: (setf rhy '(q -q -e e e e q q -s s s s)) ;;;Standard gen divide (gen-divide 3 rhy) ;;result: (q -q -e) (e e e) (q q -s) (s s s) ;;; (gen-divide-attack 3 rhy) ;;;result (q -q -e e e) (e q q) (-s s s s) To me, would be very useful. All the best ! Julio
  9. Yes, But the purpose of omn-dictum, according to the documentation is to provide the possibiliry of revisions : "The dictum arguments can be seen as maps, rules or handwritten corrections to a final score." So, this kind of revision is typical. Maybe keywords like :flats and :sharps Something like: (omn-dictum '((e stacc 1) (:sharps 2) (3q leg 2)) omn2) Best ! Julio
  10. Maybe this could be implemented inside the "omn-dictum" function, since it have the "per bar" processing.
  11. Yes, lots of fun, Torsten ! Thank you for the recommendation. Hmmmm... I don´t know if I would "recognize" the number 3 if I see it crossing the street, but I will give a try !
  12. Vintage LISP teaching (MIT, 1986) KIND OF COOL THING (this guy teaches the way I like) Structure and Interpretation of Computer Programs | Electrical Engineering and Computer Science | MIT OpenCourseWare OCW.MIT.EDU This course introduces students to the principles of computation. Upon completion of 6.001, students should be able to explain and apply the basic methods from programming languages to analyze computational systems, and to generate computational solutions to abstract problems. Substantial weekly programming assignments are an integral part of the course. This course is worth 4 Engineering Design Points. LISP MUSIC
  13. Dear Janusz, Maybe a good update would be the possibility of customizing the ensembles and its related clefs. For example, somebody may want to write a extended technique violin piece using a percussion clef or something like this. Or maybe a Pierrot Ensemble with some added instrument, a prepared piano piece with three or four staves, or a strange combination of instruments/clefs. The ability of customizing specific groups and bracketsis interesting. Best, Julio
  14. Yes, Janusz I´d like to use PS. I´m generating a lot of stuff to assemble after. I don´t know where are the lisp file that contains the Instrument Layout Presets (if it´s editable) Thank you ! Best, Julio
  15. Dear Janusz, Please, I´d like to make an acoustic guitar quartet, all with treble octave down clefs. I did´t find this configuration in the Instrument Layout Presets document. How can I proceed ? Thanks ! Best ! Julio
  16. Dear all Is there some way to make a processing of accidentals in the make-omn expression or even later, in the PS expression ? Something like: bar #1 all sharps bar#2 all flats etc. I noticed that after many sucessive list processing, my original notes were altered. Thanks ! Best ! Julio
  17. Amazing, beautiful and advanced score, André !! The piece I´m working now is almost entirely done inside Opusmodus. Finding my way, now ! Julio
  18. There is a lot of automatic stuff in Finale, by the way. Some macros that helps a lot when finishing stuff. I like to: 1) make enharmonic stuff in Musescore 2) the engraving and dynamics in Finale, because of this automatization process plugins. like this: https://www.scoringnotes.com/tutorials/using-jw-changes-sequence-editor-in-finale-to-automate-tasks/ FREE VERSIONS OF JW PLUGINS Download WWW.FINALETIPS.NU Tips, plug-ins, and other resources for the Finale music notation software. Download WWW.FINALETIPS.NU Tips, plug-ins, and other resources for the Finale music notation software.
  19. Congrats, Stephane !! Are you finishing the things in Staffpad ? It´s an Ipad ? Do you like Staffpad workflow ? Best !
  20. Dear André ! Sometimes the hand is faster. But maybe you could just do a simple substitute-map to change "playback" notes to "reading performance" notes and just copy/paste in the files... Just a guess. Best !
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