Jump to content

JulioHerrlein

Members
  • Posts

    814
  • Joined

  • Last visited

Reputation Activity

  1. Thanks
    JulioHerrlein reacted to Stephane Boussuge in ps display bug?   
    I agree totally 🙂
     
    SB
  2. Thanks
    JulioHerrlein reacted to opmo in ps display bug?   
    I discovered that the default :key-signature in PS function is set to (C Major) - this is why we get the rewrite.
    I will change the default to 'chromatic.
  3. Like
    JulioHerrlein reacted to Stephane Boussuge in Automatically split chord for piano notation   
    Hi Achim,
     
    many possible ways but I did a function for my own usage for piano split.
     
    Here's the function with doc in French !  🙂
     
    All the best !
     
    Stéphane
    split-point.lisp split-point.rtfd.zip
  4. Like
    JulioHerrlein reacted to opmo in Session 9 - 11.07.20   
    Please make documentation for it, then we can add the chord list into the system and not Libraries.
  5. Like
    JulioHerrlein got a reaction from lviklund in Session 9 - 11.07.20   
    Dear Janusz,
     
    I think that this could be a good thing to really implement in Opusmodus. I´m  finetuning it, because it involves not only a programming point of view, but also a theoretical and compositional way of thinking music. I feel that it deserves a better explanation, because a lot of chord symbols are based on my experience and also based in my Combinatorial Harmony Book.
     
    After the finetuning, I´m going to make an video explanation of it, to make the things clearer. 
    If you are interested we can build something to include in the current library of Opusmodus. 
     
    All the best !
    Julio
  6. Like
    JulioHerrlein got a reaction from Stephane Boussuge in Session 9 - 11.07.20   
    Dear Janusz,
     
    I think that this could be a good thing to really implement in Opusmodus. I´m  finetuning it, because it involves not only a programming point of view, but also a theoretical and compositional way of thinking music. I feel that it deserves a better explanation, because a lot of chord symbols are based on my experience and also based in my Combinatorial Harmony Book.
     
    After the finetuning, I´m going to make an video explanation of it, to make the things clearer. 
    If you are interested we can build something to include in the current library of Opusmodus. 
     
    All the best !
    Julio
  7. Thanks
    JulioHerrlein reacted to opmo in Session 9 - 11.07.20   
    5, 7 min is not acceptable 🙂
     
    Please send me the entier file with all the chords (compressed by email) and I will have a look.
  8. Like
    JulioHerrlein reacted to opmo in Adjust overall duration of a nested OMN sequence   
    The function FIT-TO-SPAN reduces or expands the total length of the sequence to a given span. If the sequence length is lower than the span value, additional rest values will be added at the end of the sequence by default. With the extend keyword set too 's the rest values will be inserted at the beginning of the sequence.
    (fit-to-span 5/4 phrase) => ((h c4 q d4) (q e4 c4))
  9. Thanks
    JulioHerrlein reacted to opmo in Snippet audition and notation with separate window   
    As for now the snippet opens only in a Workspace.
  10. Thanks
    JulioHerrlein reacted to opmo in Repetition Signs in OMN ?   
    To save the notation click on the xml file and go to the Menu and select Save.
    As you can see all bars are there 🙂
     
    repeat.xml
  11. Like
    JulioHerrlein reacted to opmo in Repetition Signs in OMN ?   
    The repeat is part of OMN:
    '((q c4 ds4 fs4 a4) (repeat (e c4 cs4 d4 cs4 d4 eb4 e4 f4)) (q a4 fs4 ds4 c4)) '((q c4 ds4 fs4 a4) (repeat (e c4 cs4 d4 cs4) (e d4 eb4 e4 f4)) (q a4 fs4 ds4 c4))  
  12. Thanks
    JulioHerrlein reacted to opmo in Problems with MIDI Entry   
    I am please the fix did the job.
  13. Like
    JulioHerrlein got a reaction from Jorgalad in Why I Use Opusmodus   
    WHY I USE OPUSMODUS SOFTWARE IN MY MUSICAL COMPOSITION PROCESS
     
    In this video I will describe some of the techniques I used in my compositional process and why I decided to use OPUSMODUS Software for compose music ! Also my experience with Pure Data and Nodal Software before moving to Opusmodus.
     
     
     
     
  14. Like
    JulioHerrlein reacted to opmo in Midi Entry workflow help   
    The MIDI Entry will be explained in the next Zoom into OPUSMODUS session.
     
  15. Like
    JulioHerrlein reacted to Stephane Boussuge in Session 7 - 27.06.20   
    Hi everybody,
    Here are the files from session 7.
    Happy Opusmodusing !
    Stéphane
     
    Counterpoint27062020.opmo Unfold1-27062020.opmo Rules1-27062020.opmo
  16. Like
    JulioHerrlein got a reaction from hujairi in Why I Use Opusmodus   
    WHY I USE OPUSMODUS SOFTWARE IN MY MUSICAL COMPOSITION PROCESS
     
    In this video I will describe some of the techniques I used in my compositional process and why I decided to use OPUSMODUS Software for compose music ! Also my experience with Pure Data and Nodal Software before moving to Opusmodus.
     
     
     
     
  17. Thanks
    JulioHerrlein reacted to Avner Dorman in Negative Harmony Function   
    Dear Julio,
     
    I am very happy I could be of help! 🙂
     
    All the best,
    Avner 
  18. Thanks
    JulioHerrlein got a reaction from opmo in Why I Use Opusmodus   
    Dear Janusz and Stephane,
    I'm very happy you like it !
    Opusmodus is a game changer. I love it !
    Thank you, guys ! You are doing something amazing !!
     
    All the best !
    Julio
  19. Thanks
    JulioHerrlein reacted to lviklund in Why I Use Opusmodus   
    Thank you, Julio.
     
    That was fun and entertaining!
    I completely agree with that.
     
    Stay safe
    Lasse
  20. Like
    JulioHerrlein got a reaction from lviklund in Why I Use Opusmodus   
    WHY I USE OPUSMODUS SOFTWARE IN MY MUSICAL COMPOSITION PROCESS
     
    In this video I will describe some of the techniques I used in my compositional process and why I decided to use OPUSMODUS Software for compose music ! Also my experience with Pure Data and Nodal Software before moving to Opusmodus.
     
     
     
     
  21. Thanks
    JulioHerrlein reacted to Stephane Boussuge in Why I Use Opusmodus   
    Great !!
    I love the humour too !
    All the best !
     
    Stéphane
  22. Thanks
    JulioHerrlein reacted to opmo in Why I Use Opusmodus   
    I love the humor and your love of music in this video statement, poem, manifest and a journey.
    Best wishes,
    Janusz
  23. Like
    JulioHerrlein got a reaction from Stephane Boussuge in Why I Use Opusmodus   
    WHY I USE OPUSMODUS SOFTWARE IN MY MUSICAL COMPOSITION PROCESS
     
    In this video I will describe some of the techniques I used in my compositional process and why I decided to use OPUSMODUS Software for compose music ! Also my experience with Pure Data and Nodal Software before moving to Opusmodus.
     
     
     
     
  24. Like
    JulioHerrlein got a reaction from opmo in Why I Use Opusmodus   
    WHY I USE OPUSMODUS SOFTWARE IN MY MUSICAL COMPOSITION PROCESS
     
    In this video I will describe some of the techniques I used in my compositional process and why I decided to use OPUSMODUS Software for compose music ! Also my experience with Pure Data and Nodal Software before moving to Opusmodus.
     
     
     
     
  25. Thanks
    JulioHerrlein reacted to Avner Dorman in Negative Harmony Function   
    another p.s. - Ernst Levy's book is available on google play 
    A Theory of Harmony
    BOOKS.GOOGLE.DE In this introduction to natural-base music theory, Ernst Levy presents the essentials of a comprehensive, consistent theory of harmony developed from tone structure. A Theory of Harmony is a highly original explanation of the harmonic language of the last few centuries, showing the way toward an understanding of diverse styles of music. Basic harmony texts exist, but none supply help to students seeking threads of logic in the...  
    My favorite book on the subject is David Lewin's:
    Generalized Musical Intervals and Transformations. New Haven, CT, and London: Yale University Press, 1987. Reprinted, Oxford and New York: Oxford University Press, 2007.  
×
×
  • Create New...

Important Information

Terms of Use Privacy Policy