AM

because in such a fast "basic tempo" they were too close to "17" and "23" 😉 i think in slower tempo it makes sense to work with numbers they are close/closer to each other. then the perception compares the tempi, when the GAPS are to large it's only "SLOW/FAST".... depends on your ideas... THANKS FOR THE HINT, i will look at it!! andré

polytemporal fall - algorithmic study [with tempo relations 3:5:7:11:17:23:29] this is a small example: i coordinate and play MIDIs (in this case this are simple scales) in OPMO via OSC -> maxmsp_player. you can here how precise you can coordinate simple [but polytemporal] scales => all the MIDIs coincide (?) - 30000ms after the evaluation of the code - in an unsiono pitch!!! in that way you can coordinate different scores/midi's (which have individual tempos (!)) very precise. with OSC/maxmsp_player you can change/manipulate the tempi of the midi's (directly from OPMO) so you can be variable with pre-produced midis (perhaps produced in OPMO)... greetings a.

dear janusz when will be the next update (with midi-to-omn)? and it would be also nice to GET from midi: bpm duration (of the whole midi, as a result of tempo/bpm and the lengths/rests) ...if possible... thanx a.

"What you are doing Andre is quite bad and unsafe" very friendly, your answer 🤨 ...and i knew that, but i didn't found some hints (jn the tutorials) how to extract OMN from def-score. of course it is not good, but it took me only 2 minutes to briefly the problem for my specific application. i have not written any official opusmodus-function (which can do anything) but a simple solution which helps me.

oh, this was simple 🙂 here is a small program, it works... (defun get-pitch-from-midi (midipath) (loop for i in (flatten (compile-score (midi-to-score midipath) :output :score)) when (or (chordp i) (pitchp i)) collect i)) (get-pitch-from-midi "path/filename") also with length?! (defun get-length-from-midi (midipath) (loop for i in (flatten (compile-score (midi-to-score midipath) :output :score)) when (and (lengthp i) (not (integerp i))) collect i)) (get-length-from-midi "path/filename") but will not work with more then one voice / its not necessary for MY needs, so i coded only this simple solution - perhaps janusz will do it?

dear all is there a quick way to import (or filter) only pitches and chords from a midi-file? if i only use these (nothing else from midi/xml) thanx for a hint andré

for me usage it has to be "by OSC". i have to be able to control two programs (conducting/display + e-player/samples) simultaneously and in a coordinated way. so i can send DATA for both software-applications well coordinated...

dear all here is a setup for playing midi-files/scores in polytempi / follow the instructions and have fun! just ask if you have some questions... greetings andré - personally i will use it for exact sample/e-player perfomance with my pieces which are working with "Technology-Assisted Conducting" http://polytempo.zhdk.ch ... in future i will do it all directly from OPMO or lisp - "live score generating" + polytempo-conducting + e-player) - i have already done this with my piece MODULAR FORM but not all controlled by LISP/OPMO, so next step is doing it all in OPMO/LISP greetings andré https://en.wikipedia.org/wiki/Polytempo/ ;;; POLYTEMPO-PLAY ;;; with a MAX-patch (from my friend thomas peter) and some OSC-send i can play the same/different midis (up to 30) ;;; in different tempos in parallel - any combination, with precise coordination ;;; also possible: change global velocity (means: change velocity inside midi) ;;; time-delay (start) in ms ;;; 1) OSC-send functions: (defparameter *out-socket* (make-socket :type :datagram)) (defparameter *remote-host* "127.0.0.1") (defparameter *remote-port* 7500) (defun udpsend (&rest args) (let ((message (apply' osc::encode-message args))) (send-to *out-socket* message (length message) :remote-host *remote-host* :remote-port *remote-port*))) ;;; 2) a) put the MAX-player-folder on desktop ;;; b) start midiplayer.maxpat ;;; c) midiplayer: define your output source in [midiout@name "from MAX 1"] ;;; d) the MIDIS must be placed in the midi-folder (inside MAX-player-folder) ;;; 3) generate SCORE (here a nonsense example) (setf omn (make-omn :pitch (setf pitches (filter-repeat 1 (flatten (gen-sort (rnd-air :type :pitch :seed 45) :step 5 :sort '> :seed 123)))) :length (gen-length '(1) 1/32) :velocity (pitch-to-velocity 'p 'mf pitches :type :float) :span :pitch)) (def-score sorted-whitenoise (:title "sorted-whitenoise" :key-signature 'atonal :time-signature '(4 4) :tempo 60 :layout (grand-layout 'inst)) (inst :omn omn :port 0 :channel 1 :sound 'gm :program 'acoustic-grand-piano)) ;;; 4) COMPILE that score into your Max-Player/midi-folder => PATH+NAME!!! (compile-score 'sorted-whitenoise :file "your-path/sorted-whitenoise") ;;; 5) play it by evaluate UPSEND -> some examples ;;; /eplayer / midi-name / tempo-factor / velocity factor / time-delay in ms (udpsend "/eplayer" "sorted-whitenoise" 1.0 0.5 0) ;; originaltempo, velocity 0.5 (udpsend "/eplayer" "sorted-whitenoise" 2.3 1.0 0) ;; (* tempo 2.3) etc... (udpsend "/eplayer" "sorted-whitenoise" 0.375 1.0 2000) ;; (* tempo 0.375 with startdelay 2000ms) (udpsend "/eplayer" "stop") ; you can stop with that ;;; a tempo-relations => 23:17:13:9:3:2 -> a complex example with time-delays ;;; also possible with every and different midis you like (progn (udpsend "/eplayer" "sorted-whitenoise" 2.3 1.0 0) (udpsend "/eplayer" "sorted-whitenoise" 0.3 0.8 0) (udpsend "/eplayer" "sorted-whitenoise" 0.2 0.4 0) (udpsend "/eplayer" "sorted-whitenoise" 1.3 1.0 10000) (udpsend "/eplayer" "sorted-whitenoise" 1.7 0.9 16000) (udpsend "/eplayer" "sorted-whitenoise" 0.9 0.7 20000)) (udpsend "/eplayer" "stop") ; you can stop with that Max_Player_19-08-23.zip example.aiff goldberg_13_11.aiff example_11_7_5_3_2.aiff

too much code and too complicated to post - I do not have the time to write a manual. it's a "machine" that creates multiple "brownian bridges" combined with "pitch-contour" and "add-rnd-dust". it's an all-in-ONE tool/machine/bot... I'm interested in repetition/difference in other contexts than traditional ones; but "brownian bridges" then resemble ornaments. when the sequences are short - brownian bridges are "rnd-processes" between 2 fixed points - then you will keep ornamental sequences between this 2 points/pitches... (I did not work with a score, just coding and listening - it's only sketching/testing, not composing. and all the examples are "rnd-generated"/not-composed by the machine, you could produce more and more...) some links: Brownian bridge - Wikipedia EN.WIKIPEDIA.ORG -> in OPMO

another example/experiment - you hear 4 times the same "brownian-phrase" but mapped on different tonalities... untitled.aiff a) diatonic/major b) blues-heptatonic c) chromatic d) messiaen-modus greetings andré

thanx, but just a project/coding sketch - nothing serious 😉

very nice, janusz!! 😎

you could add it!

perhaps you have some better ideas - ...perhaps with range/ambitus... sometimes in trouble - but i only use it for my current work, and so it's no problem 🙂 could be nice if you could do the add-system also with an external list input -> not fibonacci or primes or sum, but perhaps also with any integer or float list. so MODIFY-function could be done with any DATA... and perhaps it could be also nice for LENGTH and DYNAMICS, i would like that (all-in-one)

generate some examples... ;;; evaluate shift-cmd-e (progn ;gen a sieve (setf sieve (gen-sieve '((c0 c5) (c3 c6) (c4 c8)) '((14 1 2) (5 5 1 2) (6 2 1)) :type :pitch)) ; gen a line inside the sieve (setf sample (append (gen-rotate (random 8) (pick-sample-from-center sieve (rnd-pick '(7 11)))) )) (pitch-list-plot (list ; gen modified loines with "compr/expand-melody" (setf line1 sample) (setf line2 (compr/expand-melody sample sieve :type 'add :n 1 :shift -5)) (setf line3 (compr/expand-melody sample sieve :type 'add :n 2 :shift -8)) (setf line4 (compr/expand-melody sample sieve :type 'add :n 3 :shift -11))) :join-points t) (setf chordseq (loop for i in line1 for j in line2 for k in line3 for l in line4 append (chordize (list i j k l))))) ;;; ecvaluate with command2 (setf omn (list 's chordseq)) (setf omn (flatten (list 't line1 '-h 't line2 '-h 't line3 '-h 't line4)))

greetings andré ;;; MODIFY THE PITCH CONTOUR inside a pitchfield or tonality ;;; please evaluate the example and have a look to the contours ;;; subfunction (defun position-items (items alist) (loop for item in items append (position-item item alist))) ;;; function (defun compr/expand-melody (melody field &key (type 'add) (n 1) (shift 0)) (let* ((ints (loop for i in (difference (position-items (pitch-to-midi melody) (pitch-to-midi field))) collect (cond ((equal type 'add) (cond ((<= i -1) (- i n)) ((>= i 1) (+ i n)) (t i))) ((equal type 'fibonacci) (cond ((>= i 1) (+ i (fibonacci i))) ((<= i -1) (- i (fibonacci (abs i)))) (t i))) ((equal type 'summativ) (cond ((>= i 1) (+ i (+ i n))) ((<= i -1) (- i (+ (abs i) n))) (t i))))))) (position-filter (x+b (interval-to-integer ints :start (car (position-items melody field))) shift) field))) ;;; expand 1a (progn (setf seed (random 100)) (pitch-list-plot (list (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 1) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 2) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 3) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 5) (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed)) :join-points t)) ;;; expand 1b => using shift (changed startposition) (progn (setf seed (random 100)) (pitch-list-plot (list (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 1 :shift 1) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 2 :shift 2) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 3 :shift 3) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n 5 :shift 4) (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed)) :join-points t)) ;;; compress (progn (setf seed (random 100)) (pitch-list-plot (list (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n -1) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n -2) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'add :n -3) (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed)) :join-points t)) ;;; expand 2 with fibonacci (progn (setf seed (random 100)) (pitch-list-plot (list (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'fibonacci) (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed)) :join-points t)) ;;; expand 3 summativ (progn (setf seed (random 100)) (pitch-list-plot (list (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'summativ :n 1) (compr/expand-melody (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed) (gen-sieve '(c1 c9) '(2 1 1) :type :pitch) :type 'summativ :n 2) (rnd-sample 7 (gen-sieve '(c4 c5) '(2 1 1) :type :pitch) :seed seed)) :join-points t)) some evaluations -> different melodic contours (rnd / in a sieve) and its expansions Bildschirmaufnahme 2019-05-26 um 22.04.38.mov

yesterday we tried to implement/start maxlispj on MAX 8 http://sites.music.columbia.edu/brad/maxlispj/ maxlispj is from 2011, it works more or less in MAX 8 / MOJAVE, but not stable enough. perhaps there will a be some better solutiuons in the future... greetings andré

Clozure CL => the new COMMON LISP version works with MOJAVE now 🙂 have a look at apple's appstore

dear all conTimbre-library works (in the next update) perfect with TUNING (midi-pitchbend) and PAN now. thanx to thomas hummel and janusz! here are some simple sound examples... ct-micro+pan2.aiff ct-micro+pan3.aiff ct-micro+pan.aiff ct-micro+pan4.aiff

"then there is a bug in conTimbre midi listener"... okay i will tell thomas hummel thanks

dear all is there a possibility to change the PAN in every EVENT? 1) like '((q c4 mp pan-30) (e c3 pp pan100)) would be interesting for LIVE-CODING is there something predifined? like it will come up with microtonality/tuning 2) and why does it work with simple-midi-sound (a list in :pan) and not with a player like conTimbre (there is something i don't understand with midi/players/etc)? thanx for a hint andré an example: (setf omn '((5q c4 5q 5q 5q 5q 5q 5q 5q) (-q) (e e e e e) (-q) (7q 7q) (3q 3q) (-q) (5q 5q 5q) (7q 7q) (3q 3q 3q 3q) (e e) (-q) (3q 3q 3q 3q 3q) (e e e e e))) ;;; (def-score signature (:title "signature" :key-signature 'atonal :time-signature '(4 4) :tempo 60) (instr ;:port 0 :omn (omn-replace :velocity (pick-norepeat 100 '(pppp ppppp ppp ppp pp p)) (length-diminution 4 (gen-repeat 10 omn))) :tuning (gen-white-noise 100 :scale 0.1) :pan '(1 1 1 1 1 1 1 1 10 30 1 1 1 100 100 80 77 15 100 100 100) :channel 1 :sound 'gm-trumpet))

I got a trial version of the new conTimbre-player-maxpatch (from thomas hummel), now the opusmodus-tuning also works well in conTimbre. I think it will be in the next update ... 🙂 ...i like it more in cents then in float... (defun cents-to-tuning (centlist) (a*x 0.01 centlist)) (cents-to-tuning '(-14 +50 5)) => (-0.14 0.5 0.049999997)

(ambitus-octaves 'c3 2 (closest-path '(b3eb5g3 cs6e7gs3 b4f5g6 f7e5c2 d4f7e4 gs7e2a8))) => (g3b3eb4 gs3cs4e4 b3g3f4 c4f3e4 d4e4f3 e4gs3a3) or you could put this two FUNCTIONS into ONE => (closest-path*... just take all the values/arguments from the basic version and add the octave-thing? greetings andré

i already did that 🙂 (defun add-rnd-dust (omnseq &key (span '(0.1)) (seed nil) (quantize '(1 2 3 4 5 6 7 8 9)) (scale 1.0) (tolerance 0.05)) (let ((rhy (omn :length omnseq)) (sp)) (progn (setf rhy (loop with cnt = 0 for i in rhy do (setf sp (nth cnt span)) when (not (null seed)) do (incf seed) when (> i 0) collect (+ i (car (rnd-number 1 0.0 (* i sp) :seed seed))) else collect (- i (car (rnd-number 1 0.0 (* i sp) :seed seed))) when (< cnt (1- (length span))) do (incf cnt))) (make-omn :length (quantize (float-to-ratio rhy :ratio 1/1) quantize :scale scale :tolerance tolerance) :pitch (omn :pitch omnseq) :velocity (omn :velocity omnseq) :articulation (omn :articulation omnseq)))))