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o_e

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Everything posted by o_e

  1. Sorry for being a pain in the neck, but I can't figure out why I get this errorwarning: > Error: In sound set sq-vsl, program stacc, there is no controller named: cc1 > While executing: %def-sound-set-internal, in process Opusmodus Extension Initialization(5). > Type cmd-/ to continue, cmd-. to abort, cmd-\ for a list of available restarts. > If continued: Skip loading OM init file. > Type :? for other options. 1 > My Soundset looks like this (see attachment): sq_vsl.lisp
  2. Another quick question arises: When I want to define 2 keyswitches in the soundset file, do I have to use extra brackets? lyr-leg (:key (e1, e0)) or not: lyr-leg (:key e1, e0) Thanks!
  3. I don't want that, just want the controller not to cut off the sample by jumping to zero. Do you never had problems with that? And my example would work as you can see:
  4. I use normal dynamic signs in my score like p and f.. As you can see in the code gen-dynamic-controller immeadiately jumps to the value of 0.. Does that answer your question? (setf ex '((h c3 p -h)(h d3 f -h)(h e3 mf -h))) (gen-dynamic-controller ex) -->((47 1/2) (0 1/2) (80 1/2) (0 1/2) (69 1/2) (0 1/2)) Edit: Something like this would work ((47 1/2) (:asc 47 80 1/256 1/2) (80 1/2) (:desc 80 69 1/256 1/2) (69 1/2) (:desc 69 0 1/256 1/2)))
  5. Hi, I'am exploring gen-dynamic-controller, which jumps immeadiately to the value of zero, which is cutting off the sample ( Spitfire string quartet), see attachments. Is there a way to avoid this? thanks! vel_jumps_to_0.mp3
  6. Hi, The combination of 'harm' and 'tie' is leading to strange results, can anyone confirm (or am I missing something)? (setf harm '((w e7 f harm tie)(w e7 f harm ))) creates this:
  7. Hi, I've successfully managend to build a soundset thanks to Stéphanes last Zoom Lesson on last Saturday. Thanks for that! No I try to invoke the CC Expression Controller, I already found the Controllers 1 score where is a lot of information. How do I assign the controller movement to certain place in the score, lets say I want to have a violin harmonic, a whole note in bar 5, going from al niente to dal niente, so I need a controller movement like :controllers 11 '((:asc-desc 0 127 1/32 1) (a movement from 0 to 127 and back to 0 in the time of 1/1 and in the resolution of 32th notes, right?) How do I make this movement happen (only) in bar 5? thanks for an answer, best ole
  8. Hi, In the docs it says that arp-adlib makes an arpeggio up or down randomly, but there are only arps upward, what am I missing? thanks! (setf arp '(c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib c4d4e4g4a4b4d5fs5 arp-adlib))
  9. Thanks for the quick response, I'am relieved somehow, I began to doubt at my mind
  10. Hi, I don't understand the result of harmonic-path, as I understand it, it should be (something like): (eb4 g4 bb4 d4 gs4 c4 eb4 fs5 b5 bb5 ds5 fs5 b5 d5 g4 b4 eb4 g4 bb4 g4) below is the evaluation and I don't understand it, what am I missing..? (harmonic-path '(eb3g3bb3d4 gs3c4ds4fs4 b3ds4fs4bb4 g3b3d4fs4)
 '(c4 d4 e4 f4 g4 a4 b4 c5 d5 e5 f5 e5 d5 c5 b4 a4 g4 f4 e4 d4))
 ==>(eb4 g4 bb4 d4 gs4 c4 eb4 fs5 b5 bb5 eb5 g5 bb5 d5 gs4 c4 eb4 fs4 b4 bb4) It seems that I am overlooking something obvious, so I'am greatful for some help! Thanks!
  11. Thanks! I did not see that- because of the bad resolution it is more guessing what the code could be
  12. Thanks! Very strange, because there is no 'list' in the video, just doublechecked it..
  13. Hi, For training purposes I'am rebuilding the examples that Stéphane demonstrates in the Karajan Music Tech Conference Video, but the second example throws me an error and I can't find out what I'am missing..thanks for assistance.. (setf thema '(s c4 leg d4 leg e4 leg f4 q g4 ff stacc)) (setf thema.repeat (gen-repeat 24 thema)) (setf scales '((c4 d4 e4 fs4 gs4 a4 b4)(c4 d4 eb4 f4 g4 ab4 bb4))) (setf path (tonality-series (chordize scales) :closest '(down))) (setf thema.harm (tonality-map path thema.repeat)) > Error: Incorrect keyword arguments in (:scale ((c4d4e4fs4gs4a4b4) :closest down :ambitus piano) ((c4d4eb4f4g4ab4bb4) :closest down :ambitus piano)) . > While executing: (:internal scale-map-l tonality-map), in process Listener-1(7). > Type cmd-. to abort, cmd-\ for a list of available restarts. > Type :? for other options. Maybe it has to do that I'am still on 1.3??
  14. o_e

    Default Sound

    Thanks for the quick reply!!
  15. Hi, By default all the audition (audition snippet etc.) is playing with General Midi, is it possible to change that somehow? Thanks!
  16. Hi, I have a simple question, is it possible to display multiple scores in the workspace. Now, the old score gets overwritten with the new one which make things difficult to compare (I always make a screenshot as a workaround)? thanks! ole
  17. Just tried your code, it does not compile, I had to change some 'chord-closest-path' into 'closest-path' and add some setf's, then it worked. Maybe you want to correct it..? best ole
  18. Thanks for the answers! My starting point was the video from Jorvd and he don't uses the :time parameter at all, that was confusing me. @Julio: thanks for the example, I will look into that!
  19. Hi, I'am examine 'harmonic-path more closly and have some hard time to understand, if someone could please explain some things to me.. (setf chord '(c3 g3 c4 e4 f3 c4 f4 a4)) (setf melodytest '( c4 cs4 d4 e4 f4 fs4 g4 gs4)) (harmonic-path chordtest2 melodytest :octave 'path ) ==>(c3 g3 c4 e4 f3 f4 a4 c3) in the example above harmonic-path is obviously swallowing the recurring notes (and is looping the path although the doc says the default is looping nil), why, I don't get the logic behind it? And can I change this? In the example below there is no difference in the output between :loop t or :loop nil, I assumed that the looping parameter concerns both, the path and the sequence..? What am I missing? Thanks! (setf chord '(c3 g3 c4 e4 f3 c4 f4 a4)) (setf melody '(c4 cs4 d4 e4)) (harmonic-path chord melody :octave 'path :loop t ) ==>(c3 g3 c4 e4) (setf melody '(c4 cs4 d4 e4)) (harmonic-path chord melody :octave 'path :loop nil ) ==>(c3 g3 c4 e4)
  20. Hi, I solved this problem by pasting the text from the website (or email) into a plain text editor (in my case BB-Edit (I think they have a free basic version, www.barebones.com), make sure you ticked 'Show invisible characters' in Preferences/Editor Defaults, then you'll see a lot of strange signs that causes errors and you can clean your text up.. hth ole
  21. Dear Stéphane, Thank you! That helped a little, still not sure what is the difference between partials and frames. I saw that it is possible the resynthesize a sound with CLM, an example would be very helpful. Also I would like to know if its only possible to get tempered pitches out of spectral data, don't know if OM is capable of microtonal MIDI generally (which is a very tricky special beast I think)..? Thanks anyway& all the best ole
  22. To bump my own request, am I the only one who whishes some more simple examples, to understand the 'spectral data '-thing better?
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