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In my Dissertation, I worked a way to convert every chord and set in a modulo 12 rhythm, so the entire catalog of FORTE are converted to rhythms, following the steps of Babitt: As a hardcore serialist, Babbitt was interested in converting 12-tone rows to rhythms, in a kind of 12-tone rhythm theory. Below, Wuorinen show one example of a typical Babbitt idea: For the sake of explaining my idea of function, it's important to have in mind that for Babbitt, the order of the row is very important and lead to different results in the pit
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- rhythmic set theory
- pitch classes
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