In these pandemic times that tend to isolate and divide us, we decided to organise an online convention that will bring us together and perhaps expand the world community of Opusmodus users, to put us into contact to exchange opinions and experiences.
Opusmodus is not just a software but a real "artistic work” it is a comprehensive computer-aided environment for the whole work of music composition a virtual space where a composer can develop ideas and experiments for projects large and small.
We hope that this first event will materialise into a splendid opportunity to meet and exchange know-how and ideas, to grow together and perhaps help the development of a system that has thousands and more possible strategies within the vast field of artistic expression.
We want to publicly thank all the speakers who offered to talk about their experience in Opusmodus and made themselves available for this experiment which we sincerely hope will become a recurring event.
Musician, composer and author, he creates hardware and software products for multi-channel professional audio. Sound designer and consultant for installations and concerts.
Language: English, Italian
Founder and creator of Opusmodus - Composer, Programmer
Opusmodus Notation and Composing Continuum
Head of Studio for Electronic Music, Head of Institute for New Music Mozarteum University Salzburg - Composer
Aesthetic Workflow: Production And Reflection In Opusmodus
Professor at the Music Department at UFRGS (Federal University of Rio Grande do Sul/Brasil) - Composer
Assorted Topics In Composition with Opusmodus: Harmony And General Parameters
Composer, Programmer and Sound Designer
OSC Data From Opusmodus To Supercollider And P5.
Music Analysis Professor in
Conservatory "Pietro Mascagni" in Livorno, Italy, where he holds also
courses of Composition and live electronics.
Music Analysis, Composition, Algorithmic Formalization. Remarks about research and collaboration with Opusmodus Team
Professor at the University Paris-Sorbonne and researcher at the “Institute for Musicological Research” IReMus. He is a member of the administration board of the French Society for Music Analysis (SFAM) and has published numerous articles and books on the topic of music analysis and, more particularly, on its relationship with the cognitive sciences.
Les micro-intervalles. Principe de réalité d’un eldorado compositionnel
Opusmodus, Composer, musicologist and sound engineer
A Theory For Parametric Composition
Composer, musicologist, poet and painter internationally known for his work in computer-assisted score and sound composition, has always been seen as an innovator, both in theory and composition.
Composer, researcher, Opusmodus Trainings and Media.
Motivic cell technique explorations with Opusmodus
Composer, researcher, programmer
Composition Techniques and External Libraries Used for my Piece Aschenputtel for Solo Flute
Teacher at the Conservatory S.Cecilia Rome for Composition, for Applied Music and Aleatory Music as well as coordinator for the Master Class for video games.
Aleatoric Music And Algorithmic Composition
An engineering graduate, musician, professionally dedicated to music technology from the age of 17 years, sound engineering and computer music course.
Didactic Concept In Opusmodus
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