I am finding that if I have a score with two notes repeated the second note does not play when sending to my DAW. I am pretty sure this is because the notes are literally the length of the notation i.e a crotchet is exactly 480 ticks (or whatever it is in ticks) which causes the second note, not being a different pitch, to not play. Is there a way round this?
I am still working on getting playback for GrandOrgue working properly. I defined a sound set with various articulations (shown in a related post, see link below) for setting, e.g., which manual to use for the current hand, and which stop combinations on that manual. Those articulations already work individually in Opusmodus.
The problem I am facing is that I need to constantly combine multiple of such articulations in a single note. For example, I may need to specify that the right hand stops playing on the manual I (one articulation), that it instead plays on manual II and III coupled (two further articulations) and which stop combinations to use for those manuals (two more articulations). So, in this example we have five articulations on a single note, and each needs to send a specific MIDI event. Such an occurrence is something completely normal in organ literature. In OMN, this could be written, e.g., as follows using my sound set shown in the post linked below.
'((q c4 -I+II5+III6+II+III))
Now, my only problem is that whenever there are two articulations combined for a single note, where each should output its own MIDI event, Opusmodus always only outputs just one of these MIDI events. I confirmed this by checking the resulting MIDI events both in an exported MIDI file and with a realtime MIDI monitor (https://www.snoize.com/MIDIMonitor/). Note that my setup works with other software (notation software and DAWs), as they allow for having multiple articulations allocated to a single note outputting separate MIDI events.
Is this perhaps somehow possible with Opusmodus as well?
PS: I realise that Opusmodus does send multiple MIDI events if multiple MIDI events are explicitly specified for a single articulation, as in the "VSL Cello Solo" file. However, I cannot really explicitly define all the possible articulation combinations as individual articulations instead, as what would result in an impractical large number of them. There are currently individual 48 articulations (for an organ with three manuals and 10 preset combinations each), and these articulations can be combined in various ways in pairs, triplets, quadruples etc., which would result in an impractically huge number of articulations to define.
PPS: One potential workaround for some situations would be to instead allocate some of these articulations to rests immediately preceding the notes for which they are needed, but that is not possible either, because custom articulations cannot be added to rests. Instead, additional notes are added.
PPPS: For completeness: a related post.
hi all, i think a it's a beginner-question...
in SIBELIUS i can write for microtonal things MIDI PITCH BEND MESSAGES to every note i want - or automatically by a plugin. in the score/above the note then it's written for example : ~B0,70 etc....
(my PLAYER (conTimbre) works from SIBELIUS via VST) - now the question: how do i send such MIDI-pitch-bend-messages from OPUSMODUS? the opmo-tuning seems to work different and don't work with conTimbre-player...
thanx for any help