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Andy

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  1. reaction_title_2
    Andy got a reaction from opmo in IDE..powerful stuff   
    So I didn't really know what an IDE was..it's an Integrated Development Environment..is that right?
    Well anyhow I just wanted to share my enthusiasm for Opusmodus' idea of an integrated workspace...being able to have pdf books available full screen with a shortcut is amazing...and pictures and audio etc. I am a big fan of Wooden Books for instance and bam..there they are in my composing space for reference. 
    I'm kind of thinking this is how all "composing" software should be..but mostly now it seems to me to be about a graphical interface that is irrelevant alongside a multitrack recorder paradigm.
     
    Anyhow happy to be on this journey (())
     
  2. reaction_title_2
    Andy got a reaction from opmo in IDE..powerful stuff   
    So I didn't really know what an IDE was..it's an Integrated Development Environment..is that right?
    Well anyhow I just wanted to share my enthusiasm for Opusmodus' idea of an integrated workspace...being able to have pdf books available full screen with a shortcut is amazing...and pictures and audio etc. I am a big fan of Wooden Books for instance and bam..there they are in my composing space for reference. 
    I'm kind of thinking this is how all "composing" software should be..but mostly now it seems to me to be about a graphical interface that is irrelevant alongside a multitrack recorder paradigm.
     
    Anyhow happy to be on this journey (())
     
  3. reaction_title_2
    Andy got a reaction from opmo in IDE..powerful stuff   
    So I didn't really know what an IDE was..it's an Integrated Development Environment..is that right?
    Well anyhow I just wanted to share my enthusiasm for Opusmodus' idea of an integrated workspace...being able to have pdf books available full screen with a shortcut is amazing...and pictures and audio etc. I am a big fan of Wooden Books for instance and bam..there they are in my composing space for reference. 
    I'm kind of thinking this is how all "composing" software should be..but mostly now it seems to me to be about a graphical interface that is irrelevant alongside a multitrack recorder paradigm.
     
    Anyhow happy to be on this journey (())
     
  4. reaction_title_2
    Andy got a reaction from opmo in IDE..powerful stuff   
    So I didn't really know what an IDE was..it's an Integrated Development Environment..is that right?
    Well anyhow I just wanted to share my enthusiasm for Opusmodus' idea of an integrated workspace...being able to have pdf books available full screen with a shortcut is amazing...and pictures and audio etc. I am a big fan of Wooden Books for instance and bam..there they are in my composing space for reference. 
    I'm kind of thinking this is how all "composing" software should be..but mostly now it seems to me to be about a graphical interface that is irrelevant alongside a multitrack recorder paradigm.
     
    Anyhow happy to be on this journey (())
     
  5. reaction_title_2
    Andy reacted to JulioHerrlein in Help with seed and semi-colons   
    I think the best idea is to test musical ideias from annotated scores. Here are an example of a parametric composition  with  step by step decisions documented. Hope it can help you. 
    The Nigel Morgan book is also very useful as well as the tutoriais by Janusz  here in the fórum. 
    The best is read the book testing the code in Opusmodus at the same time. 
    Best Julio 
  6. reaction_title_2
    Andy reacted to opmo in Help with seed and semi-colons   
    The best way to progress quickly is to test and play with each of the examples in the 'How To' section which you will find in Utilities.
    You will see the omn form expression (scoring like on paper) and some simple self explanatory algorithms.
    Examine the input and output in the Listener.
    Snippet will help as well.
  7. reaction_title_2
    Andy reacted to torstenanders in Help with seed and semi-colons   
    > but (((((((  ))))))))) drives me nuts!
     
    Actually, the editor helps you there. Just place the cursor directly before an opening or after a closing parenthesis, and the matching parenthesis is shown.
     
    Now, I am probably biased after using Lisp for quite some time, but I actually appreciate this simple syntax. I also programmed in various other languages, and I meanwhile prefer the Lisp syntax...
     
    Best,
    Torsten
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