Jump to content

Jorgalad

Members
  • Posts

    48
  • Joined

  • Last visited

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. In this video we learn about the various methods cl-collider exposes to manipulate recorded sound (samples), we look at regular Samplers, as well as Granular synthesis. In addition we briefly look into FX and 'probability' based sample control. The code file with samples: Working with Samples in Opusmodus.zip
  2. In this video we explore how we can control SuperCollider synthesizers via Opusmodus, thereby merging the fascinating worlds of sound design and Composition.
  3. I've never liked drawing automation curves, luckily, with Opusmodus, we don't have to. This video shows you how to create accurate automation shapes and apply them to any parameter you want.
  4. Starting with a graph is a great way to come up with new musical ideas. This video will show you how to modulate a sine-wave and map the result to a sequence of pitches.
  5. Being able to visualize a code-snippet can go a long way in understanding how a function works. This video shows you how to create multiple graphs and apply them in a musical way.
  6. It's easy to get stuck with the same old drum patterns, not with Opusmodus though. This video shows you how to use the polygon-rhythm function to create interesting and new patterns.
  7. Writing for four voices traditionally takes a lot of practice and patience, as it should be. Still, it's great to get a little bit of help sometimes. In this video I show you how to use the choralis function to experiment with voice leading in a very straightforward way.
  8. The power of Parametric Composition lies in the ability to separate individual aspects of your compositions. This video will show you how to experiment with different velocities before mapping them again to a row of pitches.
  9. An overview of the Music Composition system, highlighting techniques for controlling complexity.
  10. Hi everyone, Today, when starting OM I got a Fatal error due to a missing file (see attached). This error was caused by opening a MIDI file in Opusmodus, closing again, and then removing the file on disk. Just in case you run into the same error: For me resetting the preferences didn't work, but replacing the MIDI file with a random file of the same name did. - Jor
  11. I had OM running successfully in Doom Emacs, which in case you are unfamiliar with it, uses Vim keybindings. And I loved it! The only thing I couldn't figure out was how to quickly get to the documentation, but you can look op some of Torsten's posts regarding this. Not sure if all of this will still work when switching to Lispworks in v3 though?
  12. Hi Stoney, It took some time to look into the issue this morning, but I can't find a clear answer for you as well. It might be the result from an earlier evaluation although I really doubt that since the video was recorded in one take, either way, sublists are the way to go! - Jor
  13. Thanks a lot, some great resources! I've started with just the very basics and working my way through
  14. Thanks Stephane, I see what I was doing wrong now. I was specifying the bar number in the :method, which of course isn't necessary for the Counterpoint function.
×
×
  • Create New...

Important Information

Terms of Use Privacy Policy