Rene

Dear Julio Thank you very much. I also worked with pitch-demix. With pitch-demix I've got single voices. With single voices filter-tie works, but not with chords (e.g. two chords for piano with common tones). Best, René

Hi there, I have two questions: 1) Does somebody know, if there exists a function, that connects the common notes of two chords? For me, the function "filter-tie" only works with individual voices, but not with chords. 2) I didn't find the organ in the GM Instrument Set.lisp Did anyone else wrote a piece for organ? Thank you and best wishes, René

Fantastic! Thank you very much for the quick solution.

Thank you. I'm looking forward to it.

Thank you for your answer. I understand very well, what you write. Now it is the case that for a large part of contemporary (modern classical) composers (referring e.g. to Boulez or Nono) it is an important rule, that no octaves (and also the double octave etc. and depending to the context also no tonal triads) should occur in their compositions, regardless of whether this interval occurs at the same time (in sync) or not at the same time. For these composers it would be very helpful, if a composition aid program like opusmodus also could make this control function available. Do you think, this could be possible? It would be good, if in this function one could choose, depending on the situation, whether the octave should be replaced by one or more specific intervals ((12) (11 13)) or whether the octave is simply entered as a prohibition and the program itself can choose, which other interval will replace the octave. (Perhaps in such a way that the neighboring intervals are checked out first as a possibility, and if that does not work, the program goes to more distant intervals).

If I don't want to have octaves, what shall I do? If I evaluate that code, I still get an octave. (setf v1 '(h c5)) (setf v2 '(-q c4)) (polyphony '((12 11)) (list v1 v2) :index 'out) (ps 'gm :p (list out1 out2)) Thank you. René Wohlhauser

Thank you very much, Stéphane, for your interesting sessions!

Thank you very much, Stéphane !

Thank you very much, Stéphane, that was very helpful.

Thank you very much, Stéphane, it was very interesting.

Thank you very much, dear Stéphane, it was interesting.

Thank you very much. You can make a proposition which is good for you.

I clicked in the MusicXML Viewer to activate this window and pressed cmd+s to save it, but I only hear the "error-sound" of the computer. (Under File: "Save" and also "Save as …" are grey.)

Thank you very much, dear Stéphane, for this very interesting session. I have a question: There are programs, which I can evaluate or put to the MusicXML Viewer and to the audition via Command-1 as snippets. And there are other programs, where this doesn't work and I have to go over Tools: Evaluate Score: Audition and Notation to see and hear the score. Why this difference? When the MusicXML Viewer and Audition was generated via Snippet, then I have no problem to export the xml via File: Export: Last Score to MusicXML … But when the MusicXML Viewer and Audition was generated via Tools: Evaluate Score: Audition and Notation, then I can not export the xml, because in File: Export: «Last Score to MusicXML …» is grey. How can I then export the xml?

Thank you very much, dear Stéphane, that was very interesting.