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AM

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  1. thanx, that's great!!!.... there is only one problem (but you don't have to solve it for me): the port/channel-settings are deleted 🙂  so only the internal midiplayer is playing, and no other midi-destinations via preseted port/channels (in the midi-file) are possible...?

     

    (i'm working on a generative-live-scoring project (open forms) and with OPMO i can generate/simulate different generative-grammars of my "musical material" (organzied/read as/from an array). so your solution would be very practical to develop and test the "form-grammar" of the work - THANX!!)

  2. Posted

    dear all,

     

    i have a basic lisp-question to FORMAT and i did not find a solution...

     

    INPUT

     

    (setf alist '((/player "12" 1.0 1.0 1.0)
                  (/player "23" 1.0 1.0 1.0)
                  (/player "12" 1.0 1.0 1.0)	
                  (/player "23" 1.0 1.0 1.0)))
    
    ;; with FORMAT to
    => /player "12" 1.0 1.0 1.0, /player "23" 1.0 1.0 1.0, /player "12" 1.0 1.0 1.0, /player "23" 1.0 1.0 1.0

     

    by FORMAT 
    => i will save it in a TXT-file on desktop (that works (with-open-file...)), but i have a format-problems with the commatas and the ()

     

    thanx for such basic-lisp-help

    andré

  3. Posted

    dear all

     

    i would like to send some specific data via OSC to MAX... 

    i can send "something" to max 

     

    (defparameter max '(127.0.0.1 7500)) ;; that works

     

    SEND data to MAX

    and i would like to send the following seq to MAX by OSC 

    /player "12" 1.0 1.0 1.0
     

    but how to do it / format it in OMPO?

     

    ;; data should be "113" 1 1. 25000  => but how to "format"? -> see the MAX form
    ;; ???
    (send-osc-data (create-osc-thread "player" max) data)

     

    /player is sended but not the rest of teh sequence 

     

     

    here is a screenshot from MAX, it worked with an external library (in CCL) but i would like to do it "directly" in OPMO.

     

    image.png.2deaaa5e3b4aa625c937276a06f1acff.png

     

    in MAX, that's what i'm sending - for example - as an internal test

    image.png.d9a5ac198ef987b42441476eed65129b.png

     

     

    thanx for some help...!!

    andré

  4. Quote

    Seriously? This is a one-man operation doing a major port of the software, not only to support a new hardware architecture, but also, as part of that, to completely swap out the underlying runtime backend. Give the guy a break, his job is hard enough without entitled people badgering him to get it done yesterday and criticizing his very efforts to communicate progress (before that, the criticism was that there wasn't any communication about it). What's "really going on"? Alien abduction? Coup attempt? Let the dev do his work.

    yes! agree with you, just let the developer(s) work instead of making a .... here. janusz is doing a great job!!

     

  5. I'm testing (for fun) the M2 with opusmodus (intel, a little wobbly on silicon) - of course I still have a copy on my intel-mac, just for fun!

     

    but the combination is really good. I calculate/play something in OPUSMODUS, sending by OSC to MAX/MSP and further to ABLETON LIVE; as a heavy test, the same thing in parallel to REAPER. everything with different plugins. no jerks, no glitches. That will be really great, this combination - when OPMO officially runs on silicon!

     

    then PROCESSING can also run in parallel 😄

     

    @opmo: thx a lot for all the special functions you have coded for me/us over the last few years, very specific/individual solutions for me, my work!!

     

     

     

     

  6. Didn't you read this (the compatibility) when you made the update, bought a new computer? I always check that - always. Also with MaxMsp, Avid Sibelius, Pro Tools ...

    Bildschirmfoto 2022-10-31 um 19.59.11.png

     

     

     

    SIBELIUS

    i think AVID SIBELIUS is not yet officially ready for VENTURA either, and M1 only under the Rosetta 2 translation layer.

     

     

    WWW.SCORINGNOTES.COM

    How Sibelius, Finale, Dorico, MuseScore, and Notion are faring on Apple's Ventura operating system and Apple Silicon-powered hardware.

     

  7. an example with 2 pitches = 2 intervals, with microtonal quantification

     

    (sort-asc
     (remove-duplicates
      (pitch-melodize
       (append
        (gen-summationsakkord '(3 5) :typ 'ks :gedachter-grundton 'db0 :quant nil)
        (gen-summationsakkord '(5 7) :typ 'ks :gedachter-grundton 'db0 :quant nil)))))
    
    (sort-asc
     (remove-duplicates
      (pitch-melodize
       (append
        (gen-summationsakkord '(3 5) :typ 'gs :gedachter-grundton 'db0 :quant nil)
        (gen-summationsakkord '(5 7) :typ 'gs :gedachter-grundton 'db0 :quant nil)))))

     

     

  8. Posted

    here ist some code to generate "Summationsakkorde" (CLAUS KüHNL)... have a look to the PDF...

    (from the book "Claus Kühnl: Beiträge zu einer HArmonielehre 2000" Friedrich Hofmeister Musikverlag. p.42+)

     

    
    ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
    
    
    (defun gen-summationsakkord (primaerint &key (n 10)(typ 'ks) (gedachter-grundton 'c0) (quant 1/2) (chord t))
      (let ((partial-reihe (hertz-to-pitch (harmonics gedachter-grundton 100 :type :hertz) :quantize quant))
            (partial-liste
            (remove-duplicates
              (append primaerint 
                      (list (sum primaerint))
                      (loop repeat n
                        with k-int = (sum primaerint)
                        with g-int = (sum primaerint)
                        with a = (first primaerint)
                        with b = (second primaerint)
                        
                        collect 
                        (cond ((equal typ 'ks)
                               (setf k-int (+ (car primaerint) k-int)))
                              ((equal typ 'gs)
                               (setf g-int (+ (second primaerint) g-int)))
                              ((equal typ 'fibo)
                               (shiftf a b (+ a b)))))))))
        
        (if (null chord) 
          (position-filter (x-b partial-liste 1) partial-reihe)
          (chordize (position-filter (x-b partial-liste 1) partial-reihe)))))
    
    ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
    
    (gen-summationsakkord '(2 3) :typ 'ks :gedachter-grundton 'c2)
    (gen-summationsakkord '(2 3) :typ 'gs :gedachter-grundton 'c2)
    (gen-summationsakkord '(2 3) :typ 'fibo :gedachter-grundton 'c2)
    
    
    (gen-summationsakkord '(2 3) :typ 'ks :gedachter-grundton 'c2 :quant nil)
    
    (gen-summationsakkord '(3 4) :typ 'ks :gedachter-grundton 'f1)
    (gen-summationsakkord '(3 4) :typ 'gs :gedachter-grundton 'f1)
    (gen-summationsakkord '(3 4) :typ 'fibo :gedachter-grundton 'f1)

     

    Doc - 03.08.2022 - 20-41.pdf

     

  9. in general: you have to define exactly what you want (in a limited number of cases), if you change your idea along the way, you have to adapt the CODE again...

    look at the CODE, and the EVENT etc...

     

     

    ;; you have to define al longer length-value in EVENT: (* 4 1/8) = 1/2 => in EVENT '(h c4e4g4b4 mf ten)
    
    (setf event '(h c4e4g4b4 mf ten))
    (gen-arpeggio* event :rhy '(1/8) :offset nil)  

     

  10. here's a correction (bug) and a variant:

    okay... you want to "sum" the rests in a sequence 0, 2 ,3, 4 ...  by -1/24 rhy. (a special version)

    so i have to code this case as option. take the new version and use :offset 1

     

    (defun gen-arpeggio* (event &key (rhy'(1/28)) (legato nil) (offset nil))
      (let* ((pitches (melodize (omn :pitch event)))
             (length (car (omn :length event)))
             (velo (car (omn :velocity event)))
             (art (car (omn :articulation event)))
             (rhy (gen-repeat 10 rhy))
    
             (arpeggio-voices (loop repeat (length pitches)
                                for i from 0 to (1- (length pitches))
                                for j in pitches
                                for rhy in rhy
                                collect (if (= i 0)
                                          (length-adjust length (list rhy j velo art))
    										 (length-adjust length (append (gen-length (if (null offset)
                                                                                        (list i)
                                                                                        (list (+ i offset)))
                                                                                        (* -1 rhy)) (list rhy) (list j) 
                                                                          (list velo) (list art)))))))
        (assign-variable 'voice 
                         (if (null legato)
                           arpeggio-voices
                           (loop for x in arpeggio-voices
                             collect (length-legato x))))))
        
    
    (setf event '(q c4e4g4b4 mf ten))
    
    ;;; now it works correct
    (gen-arpeggio* event :rhy '(1/8 1/12 1/16 1/20))
    
    (list voice1)
    (list voice2)
    (list voice3)
    (list voice4)
    
    
    ;;; what makes intuitiv sense (old version/result)
    (gen-arpeggio* event :rhy '(1/24) :offset nil)
    ;; with OFFSET nil: the rests at the beginning are: 
    ;; * 0 rhy
    ;; * 1 rhy
    ;; * 2 rhy
    ;; * 3 rhy
    
    (list voice1)
    (list voice2)
    (list voice3)
    (list voice4)
    
    
    ;;; what are you looking for...
    (gen-arpeggio* event :rhy '(1/24) :offset 1)
    ;; with OFFSET 1: the rests at the beginning are: 
    ;; * 0 rhy
    ;; * 2 rhy
    ;; * 3 rhy
    ;; * 4 rhy
    
    (list voice1)
    (list voice2)
    (list voice3)
    (list voice4)

     

     


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