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I guess gen-retro does not work with more that one voice. And you don't need the quote when calling the variable with gen-retro Don't know if it is necessary but I would put a blanc character between the name of the variable and the content (gen-retrograde 'music1) (setf music1 '((q .. hth

Ahh, thanks a lot!

And where lives the Templates menu? Can't find it.

Hi, I just wanted to make use of the string quartet score layout and copied the following from layout into my def-score: :layout (string-ensemble-layout '(violin-1 violin-2) 'viola 'cello ()) that throws the following error: Error: Too few arguments in call to #<Compiled-function string-ensemble-layout #x3000014660AF>: > 3 arguments provided, at least 4 required. > While executing: string-ensemble-layout, in process Listener-1(8). > Type cmd-. to abort, cmd-\ for a list of available restarts. what am I missing? And where are the score templates listed above e.g. where do I find string-quartet.opmo? best ole

Hi, Just make some attempts to code the trill and the acciaccatura from the attached example. Get only errors. Can you please complete my code line (if it is possible to realize the example)? Thanks, ole (e.. c5 leg t f5 e f5 s e5 leg f5)

is this useful? ;;; piano phase steve reich beginning bars (setf pitches '(e4 fs4 b4 cs5 d5 fs4 e4 cs5 b4 fs4 d5 cs5)) (setf phase (make-omn :length '(1/16) :pitch pitches :span :pitch)) ;;; piano1 (assemble-seq (gen-repeat 4 phase)(gen-repeat 28 phase)) ;;; piano2 (assemble-seq '(-12/16)(gen-repeat 28 phase);in the 28 repetitions the second piano gradually ;shifts so that after 28 repetitions it is a 16th note later e.g. the f-sharp (second pitch) ;is sounding together with the e (first pitch) from the 1. piano ;tempo q.=72 Hi Stephane, I just listened to your example, sounds like it is the direction I would like to go. Thanks! How did you come up with the length-values, can you explain a little? best ole

Hi, I want an effect like when bells ringing or two mechanical metronomes are started together- the are together (rhythmical unison) than getting out of phase than coming together again.. There are many pieces who make use of such a technique: Ligetis Piece for 100 Metronomes, Phase Music by Steve Reich, many Conlon Nancarrow Pieces.. How can these little ongoing displacements be programmed in OM? thanks, ole

Overlooked half of your reply! Thanks for the pointer to the omn-to-time-signature function. Very handy!

like this? (setf laengen-oben-zwei '((q. e_q 3q 3q_3q_q. e_q. e_h_e q._h))) and than define the 4/4 in the score section?

Hi, I want the following rhymical structure of tied length values ( see attached .jpg). When I write it like this: (setf laengen-oben-zwei '((q. e tie) (q 3q 3q_3q_q. e tie) (q. e_h tie) (e q._h))) the ties are ignored by the mapping see: (setf laengen-oben-zwei '((q. e tie) (q 3q 3q_3q_q. e tie) (q. e_h tie) (e q._h))) (setf toene-oben-zwei '(c4 d4 e4 fs4 gs4 bb4)) (make-omn :length laengen-oben-zwei :pitch toene-oben-zwei)how can I express the length-values so that the ties are taken in account? thanks for a hint! best ole

Very nice and extremely helpful example! The only thing I don't understand is :sound 'PR what is 'PR? thanks anyway!

When I write: (-h -q fermata)I get: Error: The value -h is not of the expected type number. > While executing: abs, in process Listener-1(8). > Type cmd-. to abort, cmd-\ for a list of available restarts. > Type :? for other options.thats why I was asking

I can't live without- just curious- is a fermata on a rest possible?

I'am bumping my question concerning the turns..it seems that it will be forgotten otherwise.

Means I have to wait for the next update? When will this be released (approximatly)?

ok, thanks for the quick reply, but how can I make it 4/4 instead of two 2/4?

Hi, Me again, merge-voices is giving me a strange result, I don't know what is wrong, the two voices alone are compiling correct. (merge-voices '(s. f4 stacc t g4 stacc e ab4 -e s. d6 stacc t eb6 stacc s. f6 stacc t eb6 stacc s. d6 stacc t c6 stacc e b5 -e ) '(-e s. d5 t eb5 s. f5 t g5 e ab5 -h))

Hi, I have a 4/4 bar with two phrases three times repeated. How can I omit the two 2/4 bars and have a 4/4 bar instead? ((t c4 d4 e4 g4 :repeat 4) (t cs4 ds4 fs4 gs4 :repeat 4)) and there are also coda-like signs displayed in red with notation-omn, this seems only the case with 32th notes.. best ole

Hi, This works fine: (q f5 leg e f5 turn22+leg s ab5 leg f5 q eb5 leg e. f5 leg s d5) but this does not compile (omn-auditioning) (q f5 leg e f5 cturn22+leg s ab5 leg f5 q eb5 leg e. f5 leg s d5) what I'am missing? thanks ole

Hi, When I type in the following: (q. g2 fp -e -h) I get the following result: the (for me) wrong order of the rests makes it hard to read. Is there a workaround? best ole

I don't get the other shortcut, command+alt+ what? thanks! ole

what I know is that you can mark the function, then press control+tab and than the function will pop up in the most right window. But than you have to open it (one more click). Maybe this can serve as a workaround. best ole

Hi, When I use a midi-file produced by OM in Logic, changes of data like Volume or Panorama I make in Logic are overwritten by the data stored in the midi-file. Is there a way to change this behaviour? Or is there a way to erase all those data in Logic? Thanks for help! best ole

Thanks! I knew it was easy and I had used it before..

Hi, This seems to be a rather simple problem but I can't find a solution myself: I have a list of 16th notes and 16th rests and I want to make sublists every nth 16th (note or rest), like so: (setf list '(1/16 1/16 -1/16 1/16 1/16 1/16 -1/16 1/16 1/16 -1/16 1/16 1/16 1/16 -1/16 1/16 1/16 1/16 -1/16 1/16 1/16 1/16 1/16 1/16 -1/16)) (make-sublists '4 list) -> ((1/16 1/16 -1/16 1/16) (1/16 1/16 -1/16 1/16) (1/16 -1/16 1/16 1/16) (1/16 -1/16 1/16 1/16) (1/16 -1/16 1/16 1/16) (1/16 1/16 1/16 -1/16))thanks for hints, best ole