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opmo

Janusz Podrazik
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  1. Like
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    Since some time we are working on implementing Bill's Schottstaedt 'Synthesis package CLM' into Opusmodus.
    As expected we make the CLM working with OMN form sequence or with single parameters - example below.
     
    The score is using partials from The Bells of the Campanile: La Marangona.
    Below you will find an audio file of the score which is rendered each time you make evaluation.
     
    Best wishes to all,
    Janusz
    ;; --------------------------------------------------------- ;; MARANGONA ;; --------------------------------------------------------- ;; Parameters (defparameter count 50) (setf partials1 (library 'marangona-partials 'partials nil :random 50)) (setf partials2 (library 'marangona-partials 'partials nil :random 50)) (setf partials3 (library 'marangona-partials 'partials nil :random 50)) (setf partials4 (library 'marangona-partials 'partials nil :random 50)) (setf par1 (rnd-sample count (partial :freq (flatten partials1)))) (setf par2 (rnd-sample count (partial :freq (flatten partials2)))) (setf par3 (rnd-sample count (partial :freq (flatten partials3)))) (setf par4 (rnd-sample count (partial :freq (flatten partials4)))) (defparameter freq1 (gen-divide (rnd-sample count '(2 3 4 5)) par1)) (defparameter freq2 (gen-divide (rnd-sample count '(1 2 3 4 5)) par2)) (defparameter freq3 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter freq4 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter len1 (list (length-span 42 (rnd-sample count '(w h q w))))) (defparameter len2 (list (length-span 42 (rnd-sample count '(d h h))))) (defparameter len3 (list (length-span 42 (rnd-sample count '(h. w q))))) (defparameter len4 (list (length-span 42 (rnd-sample count '(d d h))))) (do-timeline '( len1 (---xxx-xx- ---xxx---- --x--xx--- ---x------ x-) len2 (---xxx-xx- ---xx-x--- --x--xx--- ---x------ x-) len3 (---xxx-xx- ---xx--x-- --x--xx--- ---x------ --) len4 (---xxx-xx- ---xx---x- --x--xx--- ---x------ --) ) '(gen-pause x) :time '(w)) (defparameter dur1 (omn :length (flatten len1))) (defparameter dur2 (omn :length (flatten len2))) (defparameter dur3 (omn :length (flatten len3))) (defparameter dur4 (omn :length (flatten len4))) (defparameter amp1 (rnd-number count 0.05 0.43)) (defparameter amp2 (rnd-number count 0.05 0.43)) (defparameter amp3 (rnd-number count 0.05 0.43)) (defparameter amp4 (rnd-number count 0.05 0.43)) (defparameter env '((0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 60 .1000 80 .2000 90 .4000 95 1 100 0) (0 0 10 1 16 0 32 .1000 50 1 56 0 60 0 90 .3000 100 0) (0 0 30 1 56 0 60 0 90 .3000 100 0) (0 0 50 1 80 .3000 100 0) (0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 10 1 32 .1000 50 1 90 .3000 100 0) (0 0 60 .1000 80 .3000 95 1 100 0) (0 0 80 .1000 90 1 100 0))) ;; --------------------------------------------------------- ;; Score (with-sound (:play nil :reverb jc-reverb :scaled-to .7 :statistics t :channels 2 :output "marangona-series") (fmviolin-synth dur1 freq1 amp1 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 6.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur2 freq2 amp2 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur3 freq3 amp3 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 1.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 6.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur4 freq4 amp4 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) )  
    Score with omn-form sequence:
    (with-sound (:play nil :channels 2 :reverb jc-reverb :scaled-to .6 :statistics t :output "quartet") (fmviolin-omn vn1 :reverb-amount 0.20 :bpm 44) (fmviolin-omn vn2 :reverb-amount 0.20 :bpm 44) (fmviolin-omn va :reverb-amount 0.20 :bpm 44) (fmviolin-omn vc :reverb-amount 0.20 :bpm 44) )  
       
  2. Thanks
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    The do-timeline is already in the system 🙂
  3. Like
    opmo got a reaction from JulioHerrlein in display in seperate windows   
    This will be possible in ver. 2.0 
  4. Like
    opmo got a reaction from Stephane Boussuge in Slonimsky Stuff HELP   
    I think this could be done.
  5. Like
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    Since some time we are working on implementing Bill's Schottstaedt 'Synthesis package CLM' into Opusmodus.
    As expected we make the CLM working with OMN form sequence or with single parameters - example below.
     
    The score is using partials from The Bells of the Campanile: La Marangona.
    Below you will find an audio file of the score which is rendered each time you make evaluation.
     
    Best wishes to all,
    Janusz
    ;; --------------------------------------------------------- ;; MARANGONA ;; --------------------------------------------------------- ;; Parameters (defparameter count 50) (setf partials1 (library 'marangona-partials 'partials nil :random 50)) (setf partials2 (library 'marangona-partials 'partials nil :random 50)) (setf partials3 (library 'marangona-partials 'partials nil :random 50)) (setf partials4 (library 'marangona-partials 'partials nil :random 50)) (setf par1 (rnd-sample count (partial :freq (flatten partials1)))) (setf par2 (rnd-sample count (partial :freq (flatten partials2)))) (setf par3 (rnd-sample count (partial :freq (flatten partials3)))) (setf par4 (rnd-sample count (partial :freq (flatten partials4)))) (defparameter freq1 (gen-divide (rnd-sample count '(2 3 4 5)) par1)) (defparameter freq2 (gen-divide (rnd-sample count '(1 2 3 4 5)) par2)) (defparameter freq3 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter freq4 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter len1 (list (length-span 42 (rnd-sample count '(w h q w))))) (defparameter len2 (list (length-span 42 (rnd-sample count '(d h h))))) (defparameter len3 (list (length-span 42 (rnd-sample count '(h. w q))))) (defparameter len4 (list (length-span 42 (rnd-sample count '(d d h))))) (do-timeline '( len1 (---xxx-xx- ---xxx---- --x--xx--- ---x------ x-) len2 (---xxx-xx- ---xx-x--- --x--xx--- ---x------ x-) len3 (---xxx-xx- ---xx--x-- --x--xx--- ---x------ --) len4 (---xxx-xx- ---xx---x- --x--xx--- ---x------ --) ) '(gen-pause x) :time '(w)) (defparameter dur1 (omn :length (flatten len1))) (defparameter dur2 (omn :length (flatten len2))) (defparameter dur3 (omn :length (flatten len3))) (defparameter dur4 (omn :length (flatten len4))) (defparameter amp1 (rnd-number count 0.05 0.43)) (defparameter amp2 (rnd-number count 0.05 0.43)) (defparameter amp3 (rnd-number count 0.05 0.43)) (defparameter amp4 (rnd-number count 0.05 0.43)) (defparameter env '((0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 60 .1000 80 .2000 90 .4000 95 1 100 0) (0 0 10 1 16 0 32 .1000 50 1 56 0 60 0 90 .3000 100 0) (0 0 30 1 56 0 60 0 90 .3000 100 0) (0 0 50 1 80 .3000 100 0) (0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 10 1 32 .1000 50 1 90 .3000 100 0) (0 0 60 .1000 80 .3000 95 1 100 0) (0 0 80 .1000 90 1 100 0))) ;; --------------------------------------------------------- ;; Score (with-sound (:play nil :reverb jc-reverb :scaled-to .7 :statistics t :channels 2 :output "marangona-series") (fmviolin-synth dur1 freq1 amp1 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 6.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur2 freq2 amp2 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur3 freq3 amp3 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 1.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 6.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur4 freq4 amp4 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) )  
    Score with omn-form sequence:
    (with-sound (:play nil :channels 2 :reverb jc-reverb :scaled-to .6 :statistics t :output "quartet") (fmviolin-omn vn1 :reverb-amount 0.20 :bpm 44) (fmviolin-omn vn2 :reverb-amount 0.20 :bpm 44) (fmviolin-omn va :reverb-amount 0.20 :bpm 44) (fmviolin-omn vc :reverb-amount 0.20 :bpm 44) )  
       
  6. Thanks
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    The do-timeline is already in the system 🙂
  7. Like
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    Since some time we are working on implementing Bill's Schottstaedt 'Synthesis package CLM' into Opusmodus.
    As expected we make the CLM working with OMN form sequence or with single parameters - example below.
     
    The score is using partials from The Bells of the Campanile: La Marangona.
    Below you will find an audio file of the score which is rendered each time you make evaluation.
     
    Best wishes to all,
    Janusz
    ;; --------------------------------------------------------- ;; MARANGONA ;; --------------------------------------------------------- ;; Parameters (defparameter count 50) (setf partials1 (library 'marangona-partials 'partials nil :random 50)) (setf partials2 (library 'marangona-partials 'partials nil :random 50)) (setf partials3 (library 'marangona-partials 'partials nil :random 50)) (setf partials4 (library 'marangona-partials 'partials nil :random 50)) (setf par1 (rnd-sample count (partial :freq (flatten partials1)))) (setf par2 (rnd-sample count (partial :freq (flatten partials2)))) (setf par3 (rnd-sample count (partial :freq (flatten partials3)))) (setf par4 (rnd-sample count (partial :freq (flatten partials4)))) (defparameter freq1 (gen-divide (rnd-sample count '(2 3 4 5)) par1)) (defparameter freq2 (gen-divide (rnd-sample count '(1 2 3 4 5)) par2)) (defparameter freq3 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter freq4 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter len1 (list (length-span 42 (rnd-sample count '(w h q w))))) (defparameter len2 (list (length-span 42 (rnd-sample count '(d h h))))) (defparameter len3 (list (length-span 42 (rnd-sample count '(h. w q))))) (defparameter len4 (list (length-span 42 (rnd-sample count '(d d h))))) (do-timeline '( len1 (---xxx-xx- ---xxx---- --x--xx--- ---x------ x-) len2 (---xxx-xx- ---xx-x--- --x--xx--- ---x------ x-) len3 (---xxx-xx- ---xx--x-- --x--xx--- ---x------ --) len4 (---xxx-xx- ---xx---x- --x--xx--- ---x------ --) ) '(gen-pause x) :time '(w)) (defparameter dur1 (omn :length (flatten len1))) (defparameter dur2 (omn :length (flatten len2))) (defparameter dur3 (omn :length (flatten len3))) (defparameter dur4 (omn :length (flatten len4))) (defparameter amp1 (rnd-number count 0.05 0.43)) (defparameter amp2 (rnd-number count 0.05 0.43)) (defparameter amp3 (rnd-number count 0.05 0.43)) (defparameter amp4 (rnd-number count 0.05 0.43)) (defparameter env '((0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 60 .1000 80 .2000 90 .4000 95 1 100 0) (0 0 10 1 16 0 32 .1000 50 1 56 0 60 0 90 .3000 100 0) (0 0 30 1 56 0 60 0 90 .3000 100 0) (0 0 50 1 80 .3000 100 0) (0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 10 1 32 .1000 50 1 90 .3000 100 0) (0 0 60 .1000 80 .3000 95 1 100 0) (0 0 80 .1000 90 1 100 0))) ;; --------------------------------------------------------- ;; Score (with-sound (:play nil :reverb jc-reverb :scaled-to .7 :statistics t :channels 2 :output "marangona-series") (fmviolin-synth dur1 freq1 amp1 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 6.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur2 freq2 amp2 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur3 freq3 amp3 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 1.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 6.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur4 freq4 amp4 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) )  
    Score with omn-form sequence:
    (with-sound (:play nil :channels 2 :reverb jc-reverb :scaled-to .6 :statistics t :output "quartet") (fmviolin-omn vn1 :reverb-amount 0.20 :bpm 44) (fmviolin-omn vn2 :reverb-amount 0.20 :bpm 44) (fmviolin-omn va :reverb-amount 0.20 :bpm 44) (fmviolin-omn vc :reverb-amount 0.20 :bpm 44) )  
       
  8. Like
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    Since some time we are working on implementing Bill's Schottstaedt 'Synthesis package CLM' into Opusmodus.
    As expected we make the CLM working with OMN form sequence or with single parameters - example below.
     
    The score is using partials from The Bells of the Campanile: La Marangona.
    Below you will find an audio file of the score which is rendered each time you make evaluation.
     
    Best wishes to all,
    Janusz
    ;; --------------------------------------------------------- ;; MARANGONA ;; --------------------------------------------------------- ;; Parameters (defparameter count 50) (setf partials1 (library 'marangona-partials 'partials nil :random 50)) (setf partials2 (library 'marangona-partials 'partials nil :random 50)) (setf partials3 (library 'marangona-partials 'partials nil :random 50)) (setf partials4 (library 'marangona-partials 'partials nil :random 50)) (setf par1 (rnd-sample count (partial :freq (flatten partials1)))) (setf par2 (rnd-sample count (partial :freq (flatten partials2)))) (setf par3 (rnd-sample count (partial :freq (flatten partials3)))) (setf par4 (rnd-sample count (partial :freq (flatten partials4)))) (defparameter freq1 (gen-divide (rnd-sample count '(2 3 4 5)) par1)) (defparameter freq2 (gen-divide (rnd-sample count '(1 2 3 4 5)) par2)) (defparameter freq3 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter freq4 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter len1 (list (length-span 42 (rnd-sample count '(w h q w))))) (defparameter len2 (list (length-span 42 (rnd-sample count '(d h h))))) (defparameter len3 (list (length-span 42 (rnd-sample count '(h. w q))))) (defparameter len4 (list (length-span 42 (rnd-sample count '(d d h))))) (do-timeline '( len1 (---xxx-xx- ---xxx---- --x--xx--- ---x------ x-) len2 (---xxx-xx- ---xx-x--- --x--xx--- ---x------ x-) len3 (---xxx-xx- ---xx--x-- --x--xx--- ---x------ --) len4 (---xxx-xx- ---xx---x- --x--xx--- ---x------ --) ) '(gen-pause x) :time '(w)) (defparameter dur1 (omn :length (flatten len1))) (defparameter dur2 (omn :length (flatten len2))) (defparameter dur3 (omn :length (flatten len3))) (defparameter dur4 (omn :length (flatten len4))) (defparameter amp1 (rnd-number count 0.05 0.43)) (defparameter amp2 (rnd-number count 0.05 0.43)) (defparameter amp3 (rnd-number count 0.05 0.43)) (defparameter amp4 (rnd-number count 0.05 0.43)) (defparameter env '((0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 60 .1000 80 .2000 90 .4000 95 1 100 0) (0 0 10 1 16 0 32 .1000 50 1 56 0 60 0 90 .3000 100 0) (0 0 30 1 56 0 60 0 90 .3000 100 0) (0 0 50 1 80 .3000 100 0) (0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 10 1 32 .1000 50 1 90 .3000 100 0) (0 0 60 .1000 80 .3000 95 1 100 0) (0 0 80 .1000 90 1 100 0))) ;; --------------------------------------------------------- ;; Score (with-sound (:play nil :reverb jc-reverb :scaled-to .7 :statistics t :channels 2 :output "marangona-series") (fmviolin-synth dur1 freq1 amp1 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 6.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur2 freq2 amp2 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur3 freq3 amp3 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 1.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 6.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur4 freq4 amp4 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) )  
    Score with omn-form sequence:
    (with-sound (:play nil :channels 2 :reverb jc-reverb :scaled-to .6 :statistics t :output "quartet") (fmviolin-omn vn1 :reverb-amount 0.20 :bpm 44) (fmviolin-omn vn2 :reverb-amount 0.20 :bpm 44) (fmviolin-omn va :reverb-amount 0.20 :bpm 44) (fmviolin-omn vc :reverb-amount 0.20 :bpm 44) )  
       
  9. Like
    opmo reacted to JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    This opens up windows to Spectral work withing Opusmodus !
    Congrats !
    I'm so curious about the timeline stuff...
    All the best !
  10. Like
    opmo reacted to JulioHerrlein in Slonimsky Stuff HELP   
    After we figure out the pattern sequence, gen-sive or make-scale do the job.
    added 1 minute later PATT # 1
    (make-scale 'c4 12 :alt '(1 5)) This is why I love Opusmodus !
    Best !!
    Julio
  11. Like
    opmo reacted to JulioHerrlein in Slonimsky Stuff HELP   
    Dear All,
     
    Is there a function where you can specify the creation parameters of the melodic patterns
    devised by Slonimsky on the Thesaurus ?
     
    Is there a function where you can specify:
     
    1) The division of the octave (Tritone, Ditone, Sesquitone) ?
    2) The pattern way (Infra, ultra, interpolation, and their combinations) ?
     
    Thanks for the help !
    Best,
    Julio
  12. Like
    opmo reacted to JulioHerrlein in Slonimsky Stuff HELP   
    Dear Friends,
    Thank you all for replying !
     
    What I had in mind was not a replication of the book itself, like a database but, instead,
    a kind of generative way for doing the same kind of symmetrical patterns.
    Of course, this way, we could not retrieve the exact number of the pattern as in the book edition.
    Actually, the patterns could be generated with a few informations:
     
    1) The principal tones (the division of the octave). This could be specified as a keyword argument in the end of the Function, like
    :tritone   :ditone  :sesquitone  :wt  :st   :quadritone  :sesquiquadritone  etc, etc...
     
    2) The way the pattern is constructed, i.e., the combination of inter/ultra/infrapolation, as the figure bellow:
     

     
    3) The ambitus of the pattern, i.e., how many octaves/times the pattern will rise up through the range.
    For example, Pattern #1 could spread all over a wide range as the figure below:
     

     
    or just in the C4-C5 ambitus, like this:

     
    4) The restriction of the AMBITUS could make  some patterns based on larger divisions of the octave, wrap around
    inside the ambitus determined, acting as a kind of Sieve, filtering the pitches.
     
    Just some ideas...
     
    All the best !
    Julio
  13. Like
    opmo got a reaction from JulioHerrlein in Opusmodus with sound synthesis package (CLM)   
    Since some time we are working on implementing Bill's Schottstaedt 'Synthesis package CLM' into Opusmodus.
    As expected we make the CLM working with OMN form sequence or with single parameters - example below.
     
    The score is using partials from The Bells of the Campanile: La Marangona.
    Below you will find an audio file of the score which is rendered each time you make evaluation.
     
    Best wishes to all,
    Janusz
    ;; --------------------------------------------------------- ;; MARANGONA ;; --------------------------------------------------------- ;; Parameters (defparameter count 50) (setf partials1 (library 'marangona-partials 'partials nil :random 50)) (setf partials2 (library 'marangona-partials 'partials nil :random 50)) (setf partials3 (library 'marangona-partials 'partials nil :random 50)) (setf partials4 (library 'marangona-partials 'partials nil :random 50)) (setf par1 (rnd-sample count (partial :freq (flatten partials1)))) (setf par2 (rnd-sample count (partial :freq (flatten partials2)))) (setf par3 (rnd-sample count (partial :freq (flatten partials3)))) (setf par4 (rnd-sample count (partial :freq (flatten partials4)))) (defparameter freq1 (gen-divide (rnd-sample count '(2 3 4 5)) par1)) (defparameter freq2 (gen-divide (rnd-sample count '(1 2 3 4 5)) par2)) (defparameter freq3 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter freq4 (gen-divide (rnd-sample count '(1 2 3 1 4 5)) par3)) (defparameter len1 (list (length-span 42 (rnd-sample count '(w h q w))))) (defparameter len2 (list (length-span 42 (rnd-sample count '(d h h))))) (defparameter len3 (list (length-span 42 (rnd-sample count '(h. w q))))) (defparameter len4 (list (length-span 42 (rnd-sample count '(d d h))))) (do-timeline '( len1 (---xxx-xx- ---xxx---- --x--xx--- ---x------ x-) len2 (---xxx-xx- ---xx-x--- --x--xx--- ---x------ x-) len3 (---xxx-xx- ---xx--x-- --x--xx--- ---x------ --) len4 (---xxx-xx- ---xx---x- --x--xx--- ---x------ --) ) '(gen-pause x) :time '(w)) (defparameter dur1 (omn :length (flatten len1))) (defparameter dur2 (omn :length (flatten len2))) (defparameter dur3 (omn :length (flatten len3))) (defparameter dur4 (omn :length (flatten len4))) (defparameter amp1 (rnd-number count 0.05 0.43)) (defparameter amp2 (rnd-number count 0.05 0.43)) (defparameter amp3 (rnd-number count 0.05 0.43)) (defparameter amp4 (rnd-number count 0.05 0.43)) (defparameter env '((0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 60 .1000 80 .2000 90 .4000 95 1 100 0) (0 0 10 1 16 0 32 .1000 50 1 56 0 60 0 90 .3000 100 0) (0 0 30 1 56 0 60 0 90 .3000 100 0) (0 0 50 1 80 .3000 100 0) (0 0 40 .1000 60 .2000 75 .4000 82 1 90 1 100 0) (0 0 10 1 32 .1000 50 1 90 .3000 100 0) (0 0 60 .1000 80 .3000 95 1 100 0) (0 0 80 .1000 90 1 100 0))) ;; --------------------------------------------------------- ;; Score (with-sound (:play nil :reverb jc-reverb :scaled-to .7 :statistics t :channels 2 :output "marangona-series") (fmviolin-synth dur1 freq1 amp1 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 6.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur2 freq2 amp2 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur3 freq3 amp3 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 1.718) :fm2-rat (rnd-number count 0.00 4.414) :fm3-rat (rnd-number count 0.00 6.141) :glissando-amount (rnd-number count 0.00 0.8) ) (fmviolin-synth dur4 freq4 amp4 :degree (rnd-number count 45 85) :fm-index (rnd-number count 0.10 1.0) :reverb-amount 0.30 :noise-amount (rnd-number count 0.00 0.004) :amp-env (rnd-sample count env) :fm1-rat (rnd-number count 0.00 4.718) :fm2-rat (rnd-number count 0.00 6.414) :fm3-rat (rnd-number count 0.00 1.141) :glissando-amount (rnd-number count 0.00 0.8) ) )  
    Score with omn-form sequence:
    (with-sound (:play nil :channels 2 :reverb jc-reverb :scaled-to .6 :statistics t :output "quartet") (fmviolin-omn vn1 :reverb-amount 0.20 :bpm 44) (fmviolin-omn vn2 :reverb-amount 0.20 :bpm 44) (fmviolin-omn va :reverb-amount 0.20 :bpm 44) (fmviolin-omn vc :reverb-amount 0.20 :bpm 44) )  
       
  14. Like
    opmo got a reaction from Stephane Boussuge in Slonimsky Stuff HELP   
    I think this could be done.
  15. Like
    opmo got a reaction from Stephane Boussuge in Slonimsky Stuff HELP   
    I think this could be done.
  16. Like
    opmo got a reaction from JulioHerrlein in Slonimsky Stuff HELP   
    If someone will get me the entire Thesaurus as a library or as a lists (patterns) then we could do something what Julio is proposing. PDF etc... won't do. Each pattern should be in OM library form of at least a lisp lists.
  17. Like
    opmo reacted to Stephane Boussuge in omn-voice-generator 1 (svoice1)   
    Hi, 
    here are the two functions i use daily in my workflow.
     
    The first gen-pitch-line can be used as this but is also required for the second function svoice1.
     
    svoice1 is a generic omn generator i find useful for my work.
     
    ;;; ------------------------------------------------------------------------------ ;;; GEN-PITCH-LINE ;;; Fonction de génération de hauteurs basées sur une conversion de vecteur de bruit ;;; avec un grand choix de type de bruit, taux de compression du vecteur, filtrage des répétitions et ambitus. (defun gen-pitch-line (nb-pitch &key (compress 1) (ambitus '(c4 c6)) seed filter-repeat (type :white)) (setf seed (rnd-seed seed)) (let (pitches) (do-verbose ("gen-pitch-line :seed ~s" seed) (labels ((white-or-pink (nb-pitch seed type) (if (eq type ':pink) (gen-pink-noise nb-pitch :seed seed) (gen-white-noise nb-pitch :seed seed :type (if (eq type ':white) :normal type)))) (process (nb-pitch &key (compress 1) (ambitus '(c4 c6)) seed filter-repeat type) (setf pitches (vector-to-pitch ambitus (vector-smooth compress (white-or-pink nb-pitch seed type)))) (when filter-repeat (setf pitches (gen-trim nb-pitch (filter-repeat filter-repeat pitches)))) pitches) ) (process nb-pitch :compress compress :ambitus ambitus :filter-repeat filter-repeat :seed (seed) :type type))))) #| USAGE (gen-pitch-line 24 :compress 0.42 :type :white :filter-repeat 1) (gen-pitch-line 24 :compress 0.42 :type :pink :filter-repeat 1) (gen-pitch-line 24 :compress 0.42 :type :extreme :filter-repeat 1) (gen-eval 8 '(make-omn :pitch (gen-pitch-line 24 :compress 0.42 :type :white :filter-repeat 1) :length (euclidean-rhythm 16 1 16 's :type 2) ) :seed 33) |# ;;; ------------------------------------------------------------------------------ ;;; SVOICE1 ;;; VERSION 0.1 (defun svoice1 (nb-pitch &key (level 16) (low 1) (high 16) (ratio 1/16) (e-type 2)(e-rotate nil)(e-variant nil) (compress 1)(filter-repeat nil)(pline-type :white) (p-divide nil)(articulation nil) (length nil)(pitch nil)(velocity nil) (seed nil)(articulation-map nil) (add-interval-if-length nil) (i-length '1/16) (i-list '(-4 -5 -3 -7)) ) (setf seed (rnd-seed seed)) (do-verbose ("svoice1 :seed ~s" seed) (let* (( pitch (if pitch pitch (if p-divide (gen-divide p-divide (gen-pitch-line nb-pitch :compress compress :seed (seed) :filter-repeat filter-repeat :type pline-type)) (gen-pitch-line nb-pitch :compress compress :seed (seed) :filter-repeat filter-repeat :type pline-type)))) (len (if length length (euclidean-rhythm level low high ratio :type e-type :rotate e-rotate :variant e-variant :seed (seed)))) (art (if articulation articulation (if articulation-map (length-map articulation-map len :otherwise '(default)) ))) (velo (if velocity velocity '(mf))) ) (if add-interval-if-length (add-interval-if-length (make-omn :pitch pitch :length len :velocity velo :articulation art ) :length-val i-length :interval-list i-list ) (make-omn :pitch pitch :length len :velocity velo :articulation art ))))) #| USAGE (svoice1 32) (svoice1 32 :seed 1234) (svoice1 32 :pitch '(c4 d4 e4) :articulation '(marc)) (svoice1 32 :length '((h h)(q q e e e e))) (svoice1 32 :pitch '(c4 g4) :length '((h h)(q q e e e e)) :velocity '((f)(pp))) (svoice1 32 :i-list '(-7 -4 -5 -3) :low 1 :high 4) (svoice1 128 :p-divide 8 :level (gen-repeat 12 '(16)) :compress 0.16) (svoice1 128 :p-divide 8 :level (gen-repeat 12 '(16)) :compress 0.16 :articulation-map '((1/8 stacc)(1/16 leg))) (svoice1 128 :p-divide 8 :level (gen-repeat 12 '(16)) :low 8 :high 8 :compress 0.16 :articulation-map '((1/8 stacc)(1/16 leg))) (svoice1 128 :p-divide 8 :level (gen-repeat 12 '(16)) :low 8 :high 8 :compress 0.16 :articulation-map '((1/8 stacc)(1/16 leg)) :add-interval-if-length t) (svoice1 128 :p-divide 8 :level (gen-repeat 12 '(16)) :low 2 :high 16 :compress 0.16 :articulation-map '((1/8 stacc)(1/16 leg))) (tonality-map '(((0 2 4 6 8 10) :root d4)) (svoice1 128 :p-divide 8 :level (gen-repeat 12 '(16)) :low 2 :high 16 :compress 0.16 :articulation-map '((1/8 stacc)(1/16 leg))) ) |# S.
  18. Like
    opmo reacted to torstenanders in Updated library of many custom Opusmodus functions   
    Good to hear things are working for you 😉
     
    Note that dependencies of this library are of interest on their own for computer-aided composition. This is particularly true for the constraint library cluster engine and its extension cluster rules, as well as the library fenv. 
     
    Torsten
  19. Like
    opmo reacted to torstenanders in Updated library of many custom Opusmodus functions   
    > I like the Carnatic Stuff.
     
    To best understand what those functions offer I recommend the book referenced in the doc (Reina, 2016), which was quite an eye-opener for me. There is a partial preview at Google Books (https://books.google.co.uk/books?id=4RSrCwAAQBAJ&printsec=frontcover#v=onepage&q&f=false), and further information is available at the associated websites (http://www.contemporary-music-through-non-western-techniques.com and http://www.rafaelreina.org/book-online-material.html).
     
    Best,
    Torsten
     
    References
    Reina, R. (2016) Applying Karnatic Rhythmical Techniques to Western Music. Routledge. added 8 minutes later I just noticed the perhaps most important Karnatic function so far, gen-karnatic-cell, is not contained in the automatically generated documentation, because the documentation tool seemingly skips functions that are not defined at the top level. I may fix that at some stage, but for now you can read the documentation in the doc string of the function in its source file (rhythm.lisp), or you evaluate the following line and read it in the listener.
     
    (documentation 'gen-karnatic-cell 'function)
     
    Best,
    Torsten
     
  20. Like
    opmo reacted to torstenanders in Updated library of many custom Opusmodus functions   
    > I got just four 16th notes.
     
    This function allows for various controls that you did not use – Of course this function also allows for plain sequences of 1/16-notes, when you select its arguments accordingly 🙂   I am interested in CAC as a means of control on a higher level instead of some automatic "magic".
     
    You might want to run the examples below in Opusmodus to get music notation outputs, which are likely more easy to read than the OMN expressions, but nevertheless I provide the OMN expressions for completeness as well.
     
    The argument position (3rd argument) controls the kind of rhythmic cell that you get, see the doc for details. Here is an example where different rhythmic cells are returned. Note that by default all returned cells carry potentially a durational accent. 
     
    (gen-karnatic-cell 4 4 '(0 4 3 2 1 0))
    => ((1/4) (1/16 1/16 1/16 1/16) (1/8 1/16 1/16) (1/8 1/8) (3/16 1/16) (1/4))
     
    Now, if you use the same positions but different gati or jathi settings then you get a somewhat similar rhythm in that different gati/jathi. Below I slightly adapted the positions to make the results even more similar. 
     
    (gen-karnatic-cell 4 5 '(0 6 3 2 1 0))
    => ((5/16) (1/16 1/16 1/16 1/16 1/16) (3/16 1/16 1/16) (3/16 1/8) (1/4 1/16) (5/16))
     
    You can, of course, use these in a different time signature (e.g., the tala of your choice).
     
    (omn-to-time-signature (gen-karnatic-cell 4 5 '(0 6 3 2 1 0)) '(4 4))
    => ((q c4 tie s s s s s s e. s s s tie) (e c4 c4 q s q tie s))
     
    If you want to keep track of where the accents are located, you could mark them before this transformation (the function articulate-phrase is defined below this post). You could then manually later revise the notation to instead you the beam-breaking that Reina recommends. 
     
    (omn-to-time-signature 
     (articulate-phrase (gen-karnatic-cell 4 5 '(0 6 3 2 1 0))
                        :accent 'marc)
    '(4 4))
    => ((q c4 tie+marc s marc s marc s s s s e. marc s s s tie+marc) (e c4 c4 q marc s q tie+marc s marc))
     
    After the changed jathi above, here is a different gati. Results are more similar, because the underlying data is the same with different gati but the same jathi. Here is an example with quintuplets. 
     
    (gen-karnatic-cell 5 4 '(0 4 3 2 1 0))
    => ((1/5) (1/20 1/20 1/20 1/20) (1/10 1/20 1/20) (1/10 1/10) (3/20 1/20) (1/5))
     
    Here is the same with triplets -- exactly the same, only slower. 
     
    (gen-karnatic-cell 3 4 '(0 4 3 2 1 0))
    => ((1/3) (1/12 1/12 1/12 1/12) (1/6 1/12 1/12) (1/6 1/6) (1/4 1/12) (1/3))

    You can also change the jathi (or even gati) on the fly in a phrase. The given pattern is then 'cycled through'.
     
    (gen-karnatic-cell 4 '(5 5 3 3) '(0 6 3 2 1 0))
    => ((5/16) (1/16 1/16 1/16 1/16 1/16) (1/16 1/16 1/16) (1/16 1/16 1/16) (1/4 1/16) (5/16))

    You can also randomise your position
     
    (gen-karnatic-cell 4 5 '(0 1 ? ? 0))
    => ((5/16) (1/4 1/16) (3/16 1/8) (3/16 1/16 1/16) (5/16))

    And I did not even start discussing the other parameters yet. For example, you can set whether or not cells start with a durational accent (not a karnatic concept, but very useful notion for Western ears when dealing with rhythm). 
     
    (gen-karnatic-cell 4 5 '(3 3 3 3) :accented? '(T nil nil T))
    => ((3/16 1/16 1/16) (1/16 3/16 1/16) (1/16 3/16 1/16) (3/16 1/16 1/16))
     
    You can filter in various ways want kind of rhythm you want, e.g., set the minimum or maximum number of notes per cell. 
     
    (gen-karnatic-cell 4 5 '(? ? ? ?) :min-number '(3 3 3 3) :seed 1)
    =>((1/8 1/8 1/16) (3/16 1/16 1/16) (1/16 1/16 1/16 1/16 1/16) (1/8 1/8 1/16)) 
     
    EDIT: Oops, that are is seemingly not fully working as expected.
     
    I stop here and refer you do the documentation for more details: there are several more arguments that I did not even mention yet. I know that my documentation is rather concise and not a textbook, but it briefly discusses every detail. I said from the beginning, I wrote this for myself, so you might want to first spend a bit of time with the doc 🙂
     
    As you hopefully can see, this function alone allows for a rather rich world of rhythm with rather precise control that allows varying some rhythmic idea in various ways. I am interested here in clearly perceivable rhythmic similarities, e.g., between rhythms in different gati and jathi combinations in the Western tradition of thematic variation.  
     
    Of course, you can also process the result further in various ways. E.g., I am adding ties after long notes and/or subdivide short notes to increase the rhythmic contrast, and I am turning certain notes into rests...
     
    Best,
    Torsten
     
    (defun articulate-phrase (sequence &key (accent 'marc))
      "Add articulations to phrase for more clear rhythmic accents, e.g, an accent on every first beat.
      
      NOTE: This function assumes that `sequence' is a purely rhythmic OMN expression with only length values and perhaps ties. However, a sequence with (constant) pitches is returned, because certain Opusmodus functions do not support an OMN sequence without pitches.
      Examples:
      (articulate-phrase '((h h) (q q q q tie) (q q q q) (-q q) (q q q q)) :accent 'marc)
      => ((h marc h) (q marc q q q tie) (q q q q) (-q q) (q marc q q q))
      "
      (cons 
       ;; First bar
       ;;; NOTE: code repetition...
       (let ((bar1 (first sequence)))
         (if (length-notep (first bar1))
           (if (and (= (count-notes bar1) 1)
                    (eql (first (last bar1)) 'tie))
             (tu:replace-element (merge-articulations (list accent 'tie)) 1 bar1)
             (tu:insert-after bar1 0 accent))
           bar1))
       ;; other bars
       (loop :for (bar1 bar2) :on sequence :while bar2
         ;;; NOTE: code repetition
         :collect (if (and (length-notep (first bar2))
                           (not (eql (first (last bar1)) 'tie)))
                    (if (and (= (count-notes bar2) 1)
                             (eql (first (last bar2)) 'tie))
                      (tu:replace-element (merge-articulations (list accent 'tie)) 1 bar2)
                      (tu:insert-after bar2 0 accent))
                    bar2))))
     
  21. Like
    opmo reacted to JulioHerrlein in Updated library of many custom Opusmodus functions   
    Thank you, Torsten !
    Enjoy !!
    Best,
    Julio
     
     
  22. Like
    opmo got a reaction from Stephane Boussuge in Notating and auditioning irregular time signature   
    In the next update we will get more snippet user preferences.
  23. Like
    opmo got a reaction from Stephane Boussuge in Notating and auditioning irregular time signature   
    In the next update we will get more snippet user preferences.
  24. Like
    opmo reacted to torstenanders in Updated library of many custom Opusmodus functions   
    Dear all,

    I updated my library tot (https://github.com/tanders/tot) in various ways. In particular, there are many new functions available.

    You can now read the documentation online at https://tanders.github.io/tot/. However, remember that you can directly evaluate the many examples in the documentation when (after installing the library) you drag the library folder into your Opusmodus project navigator and open the documentation within Opusmodus.
     
    If you are interested in the details of how the library developed, you can see a changelog at https://github.com/tanders/tot/commits/master .

    NOTE: When you install/upgrade this library, make sure you also install/upgrade all its dependencies, as described in the detailed installation instructions at https://github.com/tanders/tot. 
     
    Best,
    Torsten
     
    PS: This is not an official release. As I am primarily developing this library for my own purposes, I keep it rather informal and extend it on a continuous basis for my own composition projects. Anyway, I thought at least some of you might be interested to learn that there have been many developments 🙂
  25. Like
    opmo got a reaction from JulioHerrlein in How to force a time signature for Snippet fast use   
    You find them all in the snippet document.
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